To dive in the darkness, I should dive in the truth, then in images of the world..., then facts, then in books, then listening, then in short stories... that's how I write the horror. It's very complicated.
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Only a writer who has the sense of evil can make goodness readable.
To be a Russian writer at the end of the nineteenth century must have meant bearing an inescapably bitter fate. The more they tried to escape from Russia, the more deeply Russia swallowed them.
I have always noticed that these artists and writers are very unbalanced
Maybe Laura__ real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die__f not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name.
The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")
It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.
I am a writer, I'm supposed to be intense and emotional,
A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.
I was a woman and did not yet think of myself as a writer. I was a mapmaker.
To write a poem you must have a streak of arrogance-- not in real life I hope. In real life try to be nice. It will save you a hell of a lot of trouble and give you more time to write.
Just write. That's my only tip. And read. I guess that's two.
I don't remember deciding to become a writer. You decide to become a dentist or a postman. For me, writing is like being gay. You finally admit that this is who you are, you come out and hope that no one runs away.
Most days, writing simply requires work-ethic, discipline, clarity, focus, time. Other days...it will demand absolutely everything of you.
An author is similar to an actor. They play many characters in their lives__hotographer, nurse, dancer, doctor, writer, etc. As an author, you have to learn your craft, know each and every element to become that character you__e writing about to be able to live and breathe what they do.
If words come alive on the page, the writer succeeds in connecting to the reader.
...writing allows us to reposition ourselves so we can see what is otherwise in our mental blind spots or those things about oneself and the world that we neither can see nor understand from the spot where we stand.
A writer writes knowing that nothing else will elicit the same kind of satisfaction and personal triumph as molding the written word into a reader's great experience.