Cornell Woolrich

It was dark now, and broodingly sluggish. Like something supine waiting to spring, with just the tip of its tail twitching. Leaves stood still on the trees. An evil green star glinted in the black sky like a hostile eye, like an evil spying eye.("For The Rest Of Her Life")

And I still say it was just a coincidence;' he muttered pugnaciously. 'You say it too! Look at me and say it! It was just a coincidence. That happened to be the nearest place on the dial where they both met exactly, those two hands. My blows dented them. They got stuck there just as the works died, that was all. Stay sane whatever you do. Say it over and over. It was just a coincidence!'Outside the tall French windows, in the velvety night-sky, the stars in all their glory twinkled derisively in at them. ("Speak To Me Of Death")

It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.

You'd be surprised how difficult it is to ask alms of a stranger when you've never done it before, what a psychological barrier separates the honest man from the panhandler. ("Dusk To Dawn")

Being broke didn't seem so awful as it had yesterday, being broke but being at peace with the world.("Don't Wait Up For Me Tonight")

There was nothing the matter out there. It was in here, with me.I decided I'd better go to work, maybe that would exorcise me. I fled from the room almost as though it were haunted. It was too late to stop off at a breakfast counter now. I didn't want any, anyway. My stomach kept giving little quivers. In the end I didn't go to work, either. I couldn't, I wouldn't have been any good. I telephoned in that I was too ill to come, and it was no idle excuse, even though I was upright on my two legs.I roamed around the rest of the day in the sunshine. Wherever the sunshine was the brightest, I sought and stayed in that place, and when it moved on I moved with it. I couldn't get it bright enough or strong enough. I avoided the shade, I edged away from it, even the slight shade of an awning or of a tree.And yet the sunshine didn't warm me. Where others mopped their brows and moved out of it, I stayed - and remained cold inside. And the shade was winning the battle as the hours lengthened. It outlasted the sun. The sun weakened and died; the shade deepened and spread. Night was coming on, the time of dreams, the enemy. ("Nightmare")

It takes will power and nerve to hold the stick that way, to keep his eyes open and watch the rocky face of the cliff, pine-bearded, rush up at them. O'Shaughnessy's mouth flattens, his face goes white. And then in that final fraction of a moment, he laughs, a little crazily - a laugh of defiance, of mocking farewell, and, somehow, of conquest.'Here we go, baby!' he shouts, teeth bared. 'Now I'm going to find out what it really feels like to fly into the side of a mountain!...'There is only the storm to hear the smash of the plane as it splinters itself against the rock - and the storm drowns the sound out with thunder, just as the lightning turns pale the flame that rises, like a hungry tongue, from the wreckage. ("Jane Browns Body")

She turned and walked down the musty, dimly-lighted corridor, along a strip of carpeting that still clung together only out of sheer stubbornness of skeletal weave. Doors, dark, oblivious, inscrutable, sidling by; enough to give you the creeps just to look at them. All hope gone from them, and from those who passed in and out through them. Just one more row of stopped-up orifices in this giant honeycomb that was the city. Human beings shouldn't have to enter such doors, shouldn't have to stay behind them. No moon ever entered there, no stars, no anything at all. They were worse than the grave, for in the grave is absence of consciousness. And God, she reflected, ordered the grave, for all of us; but God didn't order such burrows in a third-class New York City hotel.

Maldonado's face was ghastly. 'That' she said, pointing below the bed where the cat lurked, 'and that' - pointing to what lay on the floor - 'prove it was no dream. Do dreams leave marks behind them?' ("I'm Dangerous Tonight")

Business after all is a form of warfare; you bring all your available weapons to bear. If you don't you're a fool. ("Jane Brown's Body")

It was male, of course; menace is always male. ("Nightmare")

That's a man's vital spot, the helpless thing he loves. ("Jane Brown's Body")

I rang the bell and she opened the door, dried her hands, and said heartily: 'Hello, stranger. I was just saying to Cliff only tonight, it's about time you showed up around here.'I wanted to detach him from her, but first I had to sit through about ten minutes of her. She was my sister, but you don't tell women things like I wanted to tell him. I don't know why, but you don't. You tell them the things you have under control; the things that you're frightened of, you tell other men if you tell anyone. ("Nightmare")

You haven't any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it's been given.And that is all the obligation you have, all you have the right to expect.("New York Blues")

You see, this would be a death by the imagination. And though the imagination feeds on phantoms, it needs a premise in reality to begin with. Then it can go on from there under its own power.("Mind Over Murder")

Gates got up, but not fast or jerkily, with the same slowness that had always characterized him. He wiped the sweat off his palms by running them lightly down his sides. As though he were going to shake hands with somebody.He was. He was going to shake hands with death.He wasn't particularly frightened. Not that he was particularly brave. It was just that he didn't have very much imagination. Rationalizing, he knew that he wasn't going to be alive anymore ten minutes from now. Yet he wasn't used to casting his imagination ten minutes ahead of him, he'd always kept it by him in the present. He couldn't visualize it. So he wasn't as unnerved by it as the average man would have been.("3 Kills For 1")

It was as simple as that - they met. As simple as only beautiful things can be beautiful, as only life-changing things, turning-point things, can be simple.("For The Rest Of Her Life")

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.So it goes.And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.Rome passed into the past, and became New York.Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.("For The Rest Of Her Life")