I do know the difference between right and wrong, but I just like the way wrong feels. It's an impulse, an urge more intense than anything else.
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As a young child I had Santa and Jesus all mixed up. I could identify Coke or Pepsi with just one sip, but I could not tell you for sure why they strapped Santa to a cross. Had he missed a house? Had a good little girl somewhere in the world not received the doll he__ promised her, making the father angry?_ (p.3)
He who writes is the martyr, seen through the eyes of the unassuming doll.
Would've been useful when I was about eight," I said. "I used to have wicked nightmares." I did, too: stupid dreams about being chased by Elmo. A psycho Elmo with eyes like that Chucky doll. I'd wake up screaming and Vicky would come running in and ask what the nightmare was about. I never told her. I was too embarrassed.
Dolls are precious little reflections of joyous light, whose hope is only to delight " - Gayle Wray
It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song!
He clenched onto her, the way a 3-year-old kid would clench to his doll whenever someone tried to take it away from him. The doll was getting tore a bit every time the kid held it tighter. In the end, when they stopped trying to take it away from him, he looked at it with all the love he had for it. The doll wasn't the same anymore. It had lost all its beauty it had in the beginning. And the kid just wished in silence that if only he could let it go in the beginning.
Mary was bigger than Laura, and she had a rag doll named Nettie. Laura had only a corncob wrapped in a handkerchief, but it was a good doll. It was named Susan. It wasn't Susan's fault that she was only a corncob.Sometimes Mary let Laura hold Nettie, but she only did it when Susan couldn't see.
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.When I told my mother about the dream, she was puzzled.'But what's scary about that? You were never scared of that doll.'I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
The porcelain doll residing in her white-pillared dollhouse was a mirage.
The woman is the most perfect doll that i have dressed with delight and admiration.
Instead of falling to the ground like a heavy doll, as Kermin had seen the prisoners do at the Chetnik executions, his mother shrank into herself, a reverse blossoming, coming to rest in a sitting position, like a ruminative Buddha
It is an anxious, sometimes a dangerous thing to be a doll. Dolls cannot choose; they can only be chosen; they cannot 'do'; they can only be done by.
Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y__ll, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let__ have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.
He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.