pornography

It is the link between satisfaction and redress--the idea that a satisfaction scene, whatever else it is, is a revenge tragedy--that I want to pursue; and the sense that we waylay our desire--make it literally unreal--with pictures of its satisfaction. Pornography, for example, can easily be used, among many other things, to pre-empt the elaboration of erotic fantasy; it can be, in Masud Kahn's words, 'the stealer of dreams'. To put it in old-fashioned Freudian language, fantasies of satisfaction are defences against desiring, the attempt in fantasy to take the risk out of desire; or to put it in more Kleinian language, fantasies of satisfaction are attacks upon desire; they are, in fact, against desiring, both up against it and in opposition to it. Our fantasies of satisfaction are clues to our fears about desiring. Wishful fantasies are the original sins of omission.

...we have entertained ourselves with the pornography of violence and inflamed passions that might otherwise have slumbered...

There's mainstream pornography--soft-core airbrushed fluff such as Penthouse and Playboy. The folks makin' this stuff do men and their range of desires a disservice; their implication is that anything outside the "big hair, fake tits, tiny waste, no pores, limited body hair" aesthetic is deviant, weird, not normal--and not something that a red-blooded American man would be interested in. The common boys-will-be-boys explanation for porn--that men get turned on visually (in contrast to "feminine" mode of arousal, which is mental and emotional)--is nothing more than an insult, making men out to be Pavlovian dogs who salivate uncontrollably and strain at their trousers upon contact with nudie pictures.Antiporn arguments, however well-meaning, are no better. Folks like Catherine MacKinnon also believe that men are inherently drawn to porn. And to them, porn is by definition violent, suggesting that it's somehow in men's nature to be aroused by hurting others. Furthermore, antipornography activists think that porn leads men to commit violence--as if men have no self-control or capacity to separate fantasy from reality, as if an erection is a driving force that can't be stopped once it's started... The only difference is one of perspective: Antiporn folk believe that male sexuality is always threatening, while men's-magazine editors think it's always fabulous.

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction.

Nothing is __rong_ with me, Dan. What__ wrong with you? she said in the same eerily quiet voice, dark eyes fixated on Dan, as she breathed heavily.

The slick concrete reflected the facades of the work weary - grey, cracked and old,but more importantly, trodden upon.

Join us. Play the game. It will bring you an untold number of rewards and you will finally have some direction and purpose in your lives. Take control of yourselves and those around you. Bend them to your will and all worldly pleasures will be yours...

The basic religious idea in all patriarchal religions is the negation of the sexual needs. Only in very primitive religions were religiosity and sexuality identical. When social organization passed from matriarchy to patriarchy and class society, the unity of religious and sexual cult underwent a split; the religious cult became the antithesis of the sexual. With that, the cult of sexuality went out of existence. It was replaced by the brothel, pornography and backstairs-sexuality. It goes without saying that when sexual experiences ceased to be one with the religious cults, when, instead, they became antithetical to them, religious excitation assumed a new function: that of being a substitute for the lost sexual pleasure, now no longer affirmed by society. Only this contradiction inherent in religious excitation makes the strength and the tenacity of the religions understandable: the contradiction of its being at one and the same time antisexual and a substitute for sexuality.

Sex discrimination and hate crimes against women don't come from the leather community or its pornography. They occur within contexts like industrial capitalism and marriage that most people take for granted as if they had always existed, like gravity or continental drift. If feminism is going to change the world, it has to focus its critical lens on what most people think is normal, not on what most people think is abnormal.

Some writers have even argued that it may be possible to wean sex offenders away from their criminal activities through the use of pornography - with pornography acting as a substitute for sexual acts rather than a stimulant. This ties in with the argument that the pro-censorship lobby fails to distinguish between fantasy and reality, and to recognise that many people - including feminists! - can behave in perfectly decent, moral and non-abusive ways whilst enjoying `politically incorrect_ sexual fantasies. The assumption that fantasy leads to crimes of abuse is both highly contentious and inevitably seems to __riminalise_ sexual fantasy. Moreover, the argument that exposure to pornography causes men to act in a violent or abusive way towards women is surely undermined by even a casual look at human history and at the contemporary world.

Those four effects described above__haping a male-dominant view of sexuality, initiating victims, contributing to difficulty in separating sexual fantasy and reality, and providing a training manual for abusers__re at work just as much with men who have not engaged in activities that meet the legal definition of rape. Here we have to let go of a comforting illusion__hat there is some clear line between men who rape and men who don't, between the bad guys and the good guys.

Pornography is the theory, and rape is the practice.

In this sense, we can render the false meaning of catharsis which occurs in pornography with a different meaning than the catharsis we associate with Aristotle's definition of tragedy. For in the tragedy, we weep, grieve and feel pity. We are brought to feeling, we experience both meaning and sensation at the same time, tremble in our bodies and our souls. Thus we weep over the death of Iphigenia, of Tristan and Iseult, of Madame Bovary. In experiencing these feelings, we have tapped a part of ourselves which had perhaps been quiet for some time. Which indeed, in this stillness, we were not certain was even there. Or had even forgotten. And thus, when we weep at this tragic playing out before our eyes of a drama which touches our hearts, a part of ourselves we had left in shadow comes back to us and is named and is lived. But pornographic catharsis moves from altogether different needs. For, we know, one does not weep over the death of Justine. One does not feel at all. Rather, one experiences only sensation and mastery. If there is a vulnerable part of oneself that would weep, this vulnerability is projected onto the body of a woman who is punished, and is destroyed there. And so we cease, in this projection, to recognize this vulnerability as a part of ourselves. Rather than reclaim a feeling, or own a part of ourselves once more, we disown ourselves. What pornography calls "catharsis" leads to denial and not to knowledge.

When we hear that "war" is made for "peace", or that "pain" is sought for "pleasure" or that "brutality" helps one "feel", in our minds, language ceases to describe reality. Words lose their direct relationship with actuality. And thus language and culture begin to exist entirely independently of nature.

Entering the foyer, Royale already decided that he would thank Shake once more for being by his side at Keena__ recital. But she stunned him by eagerly waiting for him just like old times__n her knees wearing only a collar and a leash.

Prostitution, perversion, and pornography are intertwined with independence and radical politics in the history of outstanding women. Radclyffe Hall, Colette, Anaïs Nin, Kate Millett, Erica Jong--all of these women used the money they made from writing about sexuality to make it possible for them to live as rebels, dykes, feminists, artists, or whatever deviant and defiant identities they assumed.

Anger is like sex urge, once gratified, the inner voice calls you a stinking fool.

This love is hard core. Let's make it soft porn.