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olivia-sudjic

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Though I did not know her exact address, that she appeared to live almost within breathing distance of Robin, and that I lived with him, and that her pictures showed that she was now dating the mysterious Rupert Hunter, our despotic mothers, our absent fathers, the borders we had both crossed, all our many parallels and connections at every point, could not be chance. I saw it as evidence of the hidden connections between things, an all-powerful algorithm that sifted through chaos, singling out soulmates.

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That night I dreamt about the roses laid at the wrong feet__he feet of the nurse. Each bit of the dream was like a hyperlink. I pressed on one, wanting answers, and it took me to another. I could never get to the meaning at the bottom of any of the bits. When I reached for the petals of the roses, I was touching a metal seatbelt buckle in a coach, driving by night through a remote place, with a band of mist running parallel to the glass I leant against.

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It's hard to explain how an infatuation actually starts. It's a state so all-encompassing that it's almost impossible to remember how it felt to live inside your own head before it began. Everything that precedes it becomes a pathway that was always leading there. Time before is valuable only as a resource with which to create a persona, to bind the object of the infatuation closer. I had given my (partially fabricated) past life to Mizuko to make a story that in the end never got told. Or not by her. It is also hard to explain the intensity of the infatuation itself. There is rarely an explanation that seems reasonable to anyone but you. Unless you're part of a cult or viral phenomenon, so that when you weep outside the object of your infatuation's hotel room, you do so in the company of millions.