feminine

Women are treated as unjustly in poetry as in life. The feminine ones are not idealistic, and the idealistic not feminine.

My work is not about 'form follows function,' but 'form follows beauty' or, even better, 'form follows feminine.'

I am positive that flexibility is a feminine characteristic.

I like my women to be feminine, not sliding into tackles and covered in mud.

Women's liberation is the liberation of the feminine in the man and the masculine in the woman.

I__ loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I__l bathe in the jouissance of her intoxicating odour.

Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I__l bathe in the jouissance of her intoxicating odour.

While trying hard not to apportion blamesI end up apportioning all the blame on myselfI take several portions of the blamewhich makes my heart to be filled with guilt

Each one of us needs to discover the proper balance between the masculine and feminine energies, between the active and the receptive. (104)

The feminine seeks connection through union, likewise the masculine seeks freedom through disengagement.

Women are understood to have an advantage when it comes to embodiment as by their very nature they are considered to be closer to their bodies, more available to them. So here we have a turning of the tides: rather than the attunement to the body being an obstacle and a curse, it now becomes a spiritual advantage and a way of advancement.

The waves hit the cliff with more intensity than the shore, because the ocean knows the cliff has that masculine intensity which won__ complain about her feminine energy.

Feminine is never out of style

Huysmans takes the old trope of moon-as-woman and replaces its romantic connotations with decadent ones: the moon here is woman as clamorous lunatic, as convulsive epileptic.

Before the use of asteroids, the only significators of the feminine in traditional chart interpretation were the Moon and Venus.

The two creatures were sexless. But he of Malacandra was masculine (not male); she of Perelandra was feminine (not female). Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earth-ward horizon whence his danger came long ago. "A sailor's look," Ransom once said to me; "you know... eyes that are impregnated with distance." But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist. On Mars the very forests are of stone; in Venus the lands swim. For now he thought of them no more as Malacandra and Perelandra. He called them by their Tellurian names. With deep wonder he thought to himself, "My eyes have seen Mars and Venus. I have seen Ares and Aphrodite.

She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen_ She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.

He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.She said, Better to get it over with when she's young. He said, All right but don't let me see it.She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.He said, I guess we're safe.