He felt that there is a loose balance of good and evil, and that the art of living consists in getting the greatest good out of the greatest evil.
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The world needed a little Evil, so Good had something to compare itself to, but you couldn't let it think it had the right-of-way on the road and an invitation to dinner.
Because that__ life, you know? Good and bad. You can__ have one without the other. The bad brings out the good in us, and the good can be corrupted by the bad. It__ always a struggle__o fight for the good, so it tips the scale. - Jet Phoenix
We will be able to depart this life with the quiet peace-giving notion, that we were permitted to contribute to the happiness of many who will live after us. In our long lives we endeavored to unfold the collective consciousness. In our lives we have known hell and heaven; the final balance, however, is that we helped pave the way to dynamic harmony in this earthly house. That, I believe, is the meaning of life.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was teh way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
You spoke your words as though you denied the very existence of the shadows or of evil. Think, now: where would your good be if there were no evil and what would the world look like without shadow?
The balance of this world is not upset by accident. It is not upset by those who blunder accidentally into wrong. Evil comes when those who know better, who have seen the pain they cause, nevertheless cause more pain.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
When you are convinced that what you offer is yours, whether it be mediocre or of standard quality, your originality will make people love you in a way you did not expect.
Grace rides inside the waves.
When your safety is in question follow your intuition. It will help you balance along the precipice between vulnerability and adventure.
Sorrow is specific. Sorrow is vibrational. Sorrow is the state of depressed dimensional fields in and around the heart region. So actually, what is being said here is that there comes a time when an individual cannot love enough to transmute certain experience. Certain experiences are so challenging that the individual__ heart region depresses. If one can transmute shocks to the heart, and regain or hold heart balance, then one understands the __athematics of sorrow_ at that dimensional spectrum.
If you examine your motive for doing anything, you'll soon discover that your reason is that you believe it will make you happy.
Most of us are searching-consciously or unconsciously- for a degree of internal balance and harmony between ourselves and the outside world, and if we happen to become aware-like Stravinsky- of a volcano within us, we will compensate by urging restraint. By that same token, someone who bore a glacier within them might urge passionate abandon. The danger is, as Bergman points out, that a glacial personality in need of passionate abandon may read Stravinsky and apply restraint instead.
Balance: a dance with how and when.
There is darkness inside all of us, though mine is more dangerous than most. Still, we all have it__hat part of our soul that is irreparably damaged by the very trials and tribulations of life. We are what we are because of it, or perhaps in spite of it. Some useit as a shield to hide behind, others as an excuse to do unconscionable things. But, truly, the darkness is simply a piece of the whole, neither good nor evil unless you make it so. Ittook a witch, a war, and a voodoo queen to teach me that.
DBT's catchphrase of developing a life worth living means you're not just surviving; rather, you have good reasons for living. I'm also getting better at keeping another dialectic in mind: On the one hand, the disorder decimates all relationships and social functions, so you're basically wandering in the wasteland of your own failure, and yet you have to keep walking through it, gathering the small bits of life that can eventually go into creating a life worth living. To be in the desolate badlands while envisioning the lush tropics without being totally triggered again isn't easy, especially when life seems so effortless for everyone else.
Great style and posture go hand in hand.