But I loved those books or at least that first one. And I felt somewhere down deep inside him the person who wrote it must be there. That you couldn't write such beautiful things and have such an ugly heart. But that is the truth. He was a beautiful writer and a terrible person.
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Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.
Writers are the ink of society
Authors, he thought. Even the sane ones are nuts.
Writers are nothing more than borderline schizophrenics who are able to control the voices.
When many story-tellers occupy themselves with a social world which offers no great variety of lively action, their stories will probably resemble one another as to many of the major incidents, and if they draw on these limited resources like spend thrifts such resemblances will be inevitable--and therefore not significant.
HOW TO DRIVE A WRITER CRAZY_1. When he starts to outline a story, immediately give him several stories just like it to read and tell him three other plots. This makes his own story and his feeling for it vanish in a cloud of disrelated facts."2. When he outlines a character, read excerpts from stories about such characters, saying that this will clarify the writer's ideas. As this causes him to lose touch with the identity he felt in his character by robbing him of individuality, he is certain to back away from ever touching such a character."3. Whenever the writer proposes a story, always mention that his rate, being higher than other rates of writers in the book, puts up a bar to his stories."4. When a rumor has stated that a writer is a fast producer, invariably confront him with the fact with great disapproval, as it is, of course, unnatural for one human being to think faster than another."5. Always correlate production and rate, saying that it is necessary for the writer to do better stories than the average for him to get any consideration whatever."6. It is a good thing to mention any error in a story bought, especially when that error is to be editorially corrected, as this makes the writer feel that he is being criticized behind his back and he wonders just how many other things are wrong."7. Never fail to warn a writer not to be mechanical, as this automatically suggests to him that his stories are mechanical and, as he considers this a crime, wonders how much of his technique shows through and instantly goes to much trouble to bury mechanics very deep__hich will result in laying the mechanics bare to the eye."8. Never fail to mention and then discuss budget problems with a writer, as he is very interested."9. By showing his vast knowledge of a field, an editor can almost always frighten a writer into mental paralysis, especially on subjects where nothing is known anyway."10. Always tell a writer plot tricks, as they are not his business.
There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté.
Despite the fact that he loves books and owns a bookstore, A.J. does not particularly care for writers. He finds them to be unkempt, narcissistic, silly, and generally unpleasant people. He tries to avoid the ones who've written books he loves for fear that they will ruin their books for him.
At the end of the day your ability to connect with your readers comes down to how you make them feel.
I write because it's the only thing I love that always loves me back.
What you should actually be trying to figure out is how to tell your story. The one that is every bit as unique to you as your fingerprints.This is the truly amazing feat because you are literally the only person capable of doing that. Only you know all the parts to your story and only you can pass it on for others to hear if you choose to.
The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that.
If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they__e happy.
A demon, who serves to a warlock, begins tormenting his master, if he has not enough work. Talent is the demon.
Authors were shy, unsociable creatures, atoning for their lack of social aptitude by inventing their own companions and conversations.
Only the writers can change or fix the past by going back to edit old works
Q: I want to be an author when I grow up. Am I insane?"Neil Gaiman: "Yes. Growing up is highly overrated. Just be an au