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Author

Nicholson Baker

/nicholson-baker-quotes-and-sayings

14 Quotes
7 Works

Author Summary

About Nicholson Baker on QuoteMust

Nicholson Baker currently has 14 indexed quotes and 7 linked works on QuoteMust. This page is the canonical destination for that author archive.

Works

Books and titles linked to this author

A Box of Matches House of Holes The Anthologist The Fermata The Mezzanine Traveling Sprinkler Vox

Quotes

All quote cards for Nicholson Baker

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I don__ think that loneliness is necessarily a bad or unconstructive condition. My own skill at jamming time may actually be dependent on some fluid mixture of emotions, among them curiosity, sexual desire, and love, all suspended in a solvent medium of loneliness. I like the heroes or heroines of books I read to be living alone, and feeling lonely, because reading is itself a state of artificially enhanced loneliness. Loneliness makes you consider other people__ lives, makes you more polite to those you deal with in passing, dampens irony and cynicism. The interior of the Fold is, of course, the place of ultimate loneliness, and I like it there. But there are times when the wish for others_ voices, for friendliness returned, reaches unpleasant levels, and becomes a kind of immobilizing pain. That was how it felt as I finished packing up the box of sex machines.

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Nicholson Baker

The Fermata

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You float like a feather," sings Radiohead, "In a beautiful world." I've listened several times to the Radiohead songs, because it was nice of Raymond to say he heard a bit of them in what I sang. I'm not sure I hear it myself, but I am pleased and touched. Sometimes that's what you need, just a quick casual word of knowledgeable encouragement. Radiohead reminds me a little of the songs in Garden State soundtrack. Now, that's a soundtrack. They were all songs that Zach Braff liked, so he put them in his movie. And there's that beautiful moment near the beginning where Natalie Portman hands him the headphones and she watches him listen to the song and she smiles her huge, innocent Natalie Portman smile.

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Nicholson Baker

Traveling Sprinkler

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It's time for bed. And here's what I'm going to do. I'm going to get in bed, and I don't have anyone to sleep with now, so what I do is I sleep with my books. And I know that's kind of weird and solitary and pathetic. But if you think about it, it's very cozy. Over a period of four, five, six, seven, nine, twenty nights of sleeping, you've taken all these books to bed with you, and you fall asleep, and the books are there.***Some of the books are thick, and some are thin, some of the books are in hardcover and some in paperback. Sometimes they get rolled up with the pillows and the blankets. And I never make the bed. So it's like a stew of books. The bed is the liquid medium. It's a Campbell's Chunky Soup of books. The bed you eat with a fork.

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I want to tell you why poetry is worth thinking about - from time to time. Not all the time. Sometimes it's a much better idea to think about other things.Most of us have a short period of intense thinking about poetry, when we take a class in college, and then that's about it. And that's really all you need. One intense time, when you master your little heap of names - Andrew Marvel, Muriel Rukeyser, Christina Rosetti, Hardy, Auden, Bishop, Marvin Bell, Ted Hughes, John Hollander, Nicholas Christopher, Deborah Garrison, whoever, James Wright, Selima Hill, Troy Jollimore. Whoever they may be. Every so often you remember them. If you've memorised some poems, the poems will raise a glimmering finger in your memory once in a while, and that's very nice, as long as you keep it to yourself. Never recite. Please! If you recite, your listeners will look down and play with their cuticles. They will not like you. But sometimes if you quote just a phrase in passing, that can work. Like this: "As Selima Hill says: 'A really good fuck makes me feel like custard.

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Will the time ever come when I am not so completely dependent on thoughts I first had in childhood to furnish the feedstock for my comparisons and analogies and sense of the parallel rhythms of microhistory? Will I reach a point where there will be a good chance, I mean a more than fifty-fifty chance, that any random idea popping back into the foreground of my consciousness will be an idea that first came to me when I was an adult, rather than one I had repeatedly as a child?