Michael Montoure

There__ a line you never get to cross, as long as you live. The edge of your body. You__e trapped inside your skin, and no matter how many times you reach out to touch a friend or a lover, no matter how close you hold someone or how fiercely you make love, when it begins, when it ends, and all the moments in between, you are still yourself, alone. I know you knew this. It was in all the love songs you wrote. I think it was the hidden impulse we both had, down inside, that made us take razors to our skin, that desire to open up and let the world in, to let ourselves out, to take that sharp thin line of flesh and erase it.

He'd wanted to - he didn't know. Break bottles. Break windows, crash cars. Burn down the world. Find solace at the bottom of countless more bottles of wine, this time consumed in solitude. In the end he did none of these things; while he knew the shapes and forms of rage and grief, he had, in truth, nothing more than gentleness inside to sustain him.

He'd grown unused to woods like this. He'd become accustomed to the Northwest, evergreen and shaded dark. Here he was surrounded by soft leaves, not needles; leaves that carried their deaths secretly inside them, that already heard the whispers of Autumn. Roots and branches that knew things.

The skyscrapers of the city had finished scraping all the sky away, and the clouds overhead were exactly the color of concrete and I was safe and cold in a canyon of glass and steel.

We used to make gods, and we used to make sacrifices to them, and they would reward us. We're still doing it and we still makes the sacrifices - I don't know how many cows die every year to keep Burger Clown alive, but I know it's a lot - but we don't know what to do with the gods once we have them.

Time falls on us, like rain, it falls like rain until we drown in it, and sometimes, it's like the drains overflow, and time just - pools up, it seeps, it gathers in the corners.

He took me down and out into the afterlife of the brightly lit streets, a haze of rain around each streetlight like a galaxy, the whole street a universe spread out like a banquet.

Keep in mind that in the whole long tradition of storytelling, from Greek myths through Shakespeare through King Arthur and Robin Hood, this whole notion that you can't tell stories about certain characters because someone else owns them is a very modern one - and to my mind, a very strange one.

He found, using fifty stones to keep track, that he could easily remember the names of all fifty states, and he knew the capitols of a lot of them. He knew his times tables all the way up to twelves, and he knew when they'd signed the Declaration of Independence and when John Glenn landed on the moon.But he was keenly aware that he didn't know how to tell if nuts were good to eat, or what berries will make you sick, or what mushrooms were poisonous, and he slowly began to wonder why not one person had ever taught him anything useful.

I try asking him some more questions, but it's like talking to voice mail.