Hugh MacLeod

The price of being a sheep is boredom. The price of being a wolf is loneliness. Choose one or the other with great care.

...the best Evil Plan offers something much more for people--a chance to buy into an idea that matters, and share it with people who matter to them.

You do not own the molecules. They are stardust. They belong to God. What you do own is your soul. Nobody can take that away from you.

YOU DON__ KNOW IF YOUR IDEA IS ANY GOOD the moment it__ created. Neither does anyone else. The most you can hope for is a strong gut feeling that it is. And trusting your feelings isnot as easy as the optimists say it is. There__ a reason why feelings scare us__ecause what they tell us and what the rest of the world tells us are often two different things.

GOOD IDEAS ALTER THE BALANCE IN RELATIONSHIPS. THAT IS WHY GOOD IDEAS ARE ALWAYS INITIALLY RESISTED.

The old ways are dead. And you need people around you who concur. That means hanging out more with the creative people, the freaks, the real visionaries, than you're already doing. Thinking more about what their needs are, and responding accordingly. Avoid the dullards; avoid the folk who play it safe. They can't help you anymore. Their stability model no longer offers that much stability. They are extinct, they are extinction.

They're only crayons. You didn't fear them in Kindergarten, why fear them now?

If you__e creative, if you can think independently, if you can articulate passion, if you can override the fear of being wrong, then your company needs you more than it ever did. And now your company can no longer afford to pretend that isn__ the case. So dust off your horn and start tooting.

..The stuff you learn beforehand will never be one-tenth as useful as the stuff you learn the hard way, on the job.

Anyone can be an idealist. Anyone can be a cynic. The hard part lies somewhere in the middle__hat is, being human.

People are fond of spouting out the old cliché about how Van Gogh never sold a painting in his lifetime. Somehow his example serves to justify to us, decades later, that there is merit in utter failure.Perhaps, but the man did commit suicide. The market for his work took off big-time shortly after his death. Had he decided to stick around another few decades he most likely would__e entered old age quite prosperous. And sadly for failures everywhere, the cliché would have lost a lot of its power.The fact is, the old clichés work for us in abstract terms, but they never work out in real life quite the same way. Life is messy; clichés are clean and tidy.

Art suffers the moment other people start paying for it.

Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.

Your idea doesn't have to be big. It just has to be yours alone. The more the idea is yours alone, the more freedom you have to do something really amazing. The more amazing, the more people will click with your idea. The more people click with your idea, the more it will change the world.

The only people who can change the world are people who want to. And not everybody does.

If your business plan depends on suddenly being "discovered" by some big shot, your plan will probably fail. Nobody suddenly discovers anything. Things are made slowly and in pain.

You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.

Writer's block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something. Why? If you have something to say, then say it. If not, enjoy the silence while it lasts. The noise will return soon enough.