idealism

It's always the lesser of two evils.''I don't see why there have to be any evils at all.'-Connor

You see, Risa, survival is a dance between our needs and our consciences. When the need is great enough, and the music loud enough, we can stomp conscience into the ground.'Risa closes her eyes. She knows the dance...'It's the way of the world,' Divan continues. 'Look at unwinding, society's grand gavotte of denial. There will, no doubt, come a time when people look to one another and say, 'My God, what have we done?' But I don't believe it will happen any time soon. Until then, the dance must have music; the chorus must have its voice. Give it that voice, Risa. Play for me.'But Risa's fingers offer him nothing, and the Orgao Organico holds the obdurate, unyielding silence of the grave.

The contest is not between Us and Them, but between Good and Evil, and if those who would fight Evil adopt the ways of Evil, Evil wins.

Something must be radically wrong with a culture and a civilisation when its youth begins to desert it. Youth is the natural time for revolt, for experiment, for a generous idealism that is eager for action. Any civilisation which has the wisdom of self-preservation will allow a certain margin of freedom for the expression of this youthful mood. But the plain, unpalatable fact is that in America today that margin of freedom has been reduced to the vanishing point. Rebellious youth is not wanted here. In our environment there is nothing to challenge our young men; there is no flexibility, no colour, no possibility for adventure, no chance to shape events more generously than is permitted under the rules of highly organised looting. All our institutional life combines for the common purpose of blackjacking our youth into the acceptance of the status quo; and not acceptance of it merely, but rather its glorification.

Once people said: Give me liberty or give me death. Now they say: Make me a slave, just pay me enough.

It is sometimes said that the tragedy of an artist's life is that he cannot realize his ideal. But the true tragedy that dogs the steps of most artists is that they realize their ideal too absolutely. For, when the ideal is realized, it is robbed of its wonder and its mystery, and becomes simply a new starting point for an ideal that is other than itself. This is why music is the perfect type of art. Music can never reveal its ultimate secret.

The decision as to whether to risk one__ actual life or to surrender the ideal self-conception is a decision about who one is.(from The structure of desire and recognition)

I think this was a nice idea we had in this country and a nice landscape to experiment with. But I think there comes a time in almost any experimentation or idea, where you have to evaluate it, maybe our time has come. In the context of the real world, not just the American world but all around, we haven't done too well. We are not a very good advertisement for the idea we represented. If you lose one wheel of the car, you might be able to get to the side of the road, and some freaks can make it on two, but if you lose three, man, you're in serious trouble. I think we've lost three.

We human beings glimpse lofty ideals, catch ourselves betraying them, and sink to suicidal despair--despair from which only the love of our friends can save us, since friends see in us those nobler qualities we ourselves, out of long familiarity, have forgotten we possess. That, of course, is why the suicidal person is difficult around his friends.

The epitome of our life force turns on the seam where our tempered idealistic expectations meet the annealed exigencies fueling the cataclysm of a pressing personal crisis. Many of us do not decipher who we are and what we truly cherish until we experience the terror of an inconsolable loss. Failure and suffering lead to self-scrutiny.

If you have realistic ideals and can generally live up to them, your self-esteem will not be threatened. If your ideals are exaggerated and you cannot reach them, your good feelings from successes may be short lived, and you may feel that you are never good enough.The continued hope for the impossible, the expectation that you will or can be unconditionally loved and adored, is not facing reality but rather holding onto an idealized image of yourself and an idealized version of what others can provide. If this is the case, your sense of self may be threatened by shame and its resulting depression, or by feelings of inadequacy for not living up to your unrealistic ideals. A better understanding of shame may help you recognize your tendency to hide what you feel from yourself and others.

Self-respect is the very cement of character, without which character will not form nor stand; a personal ideal is the only possible foundation for self-respect, without which self-respect degenerates into vanity or conceit, or is lost entirely, its place being taken by worthlessness and the consciousness of worthlessness; and that is the end of all character. It is often said that if we do not respect ourselves no one else will respect us; this is rather a dangerous way to put it; let us rather say that if we are not worthy of our own respect we cannot claim the respect of others. True self-respect is a matter of being and never of mere seeming. As Paulsen says, "It is vanity that desires first of all to be seen and admired, and then, if possible, really to be something; whereas proper self esteem desires first of all to be something, and' then, if possible, to have its worth recognized.

The biggest catch need not be grandest at all.

Industry, technology, and commerce can thrive only as long as an idealistic national community offers the necessary preconditions. And these do not lie in material egoism, but in a spirit of sacrifice and joyful renunciation.

It will be seen how subjectivism and objectivism, spiritualism and materialism, activity and suffering, only lose their antithetical character, and thus their existence, as such antitheses in the social condition; it will be seen how the resolution of the theoretical antitheses is only possible in a practical way, by virtue of the practical energy of men. Their resolution is therefore by no means merely a problem of knowledge, but a real problem of life, which philosophy could not solve precisely because it conceived this problem as merely a theoretical one.

To put a dreamer in their place isn__ dreaming.

People are creators. But I doubt that many realize this. We are not meant to go out into the world and find flawless things, we are not meant to sit down and have flawless things fall into our laps. But we are creators. We can create a beautiful thing out of what we have. The problem with idealistic people is that they see themselves as receivers instead of creators, they end up hunting for the flaw in everything in order to measure it up to their ideals. Now, when you see yourself as a creator, you can look at a chunk of marble and see the angel within it. Then you carve until you have set that angel free.

...After all, the chief business of the American people is business. They are profoundly concerned with producing, buying, selling, investing and prospering in the world. I am strongly of the opinion that the great majority of people will always find these are the moving impulses of our life. But it is only those who do not understand our people, who believe that our national life is entirely absorbed by material motives. We make no concealment of the fact that we want wealth, but there are many other things that we want much more. We want peace and honor, and that charity which is so strong an element of all civilization. The chief ideal of the American people is idealism.