Cornell Woolrich

It's hard to say goodbye for good at any time or any place. It's harder still to say it through a meshed wire. It crisscrossed his face into little diagonals, gave me only little broken-up molecules of it at a time. It stenciled a cold, rigid frame around every kiss.

I didn't look over my shoulder; there wasn't a sound behind me on the pavement, but I knew he was coming slowly after me. The crawl of the skin up and down my back told me. Little needles of warning that gathered at the back of my skull told me. I'd never known until then that the jungles aren't so very far behind us, after all, and tails, and four feet instead of two. Where else did those symptoms come from?("Don't Wait Up For Me, Tonight")

She was the kind of shopkeeper who finishes the paragraph she is reading before waiting on the customer.

And then, with a shock like high-voltage coursing through me, the phone beside me started pealing thinly.I just stood there and stared at it, blood draining from my face. A call to a tollbooth? It must, it must be a wrong number, somebody wanted the Information Booth or-! It must have been audible outside, with all I had the slide partly closed. One of the redcaps passing by turned, looked over, then started coming across toward where I was. To get rid of him I picked up the receiver, put it to my ear.'You'd better come out now, time's up,' a flat, deadly voice said. 'They're calling your train, but you're not getting on that one - or any other.''Wh-where are talking from?''The next booth to yours,' the voice jeered. 'You forgot the glass inserts only reach halfway down.'The connection broke and a man's looming figure was shadowing the glass in front of my eyes, before I could even get the receiver back on the hook. I dropped it full-length, tensed my right arm to pound it through his face as soon as I shoved the glass aside. He had a revolver-bore for a top vest-button, trained on me. Two more had shown up behind him, from which direction I hadn't noticed. It was very dark in the booth now, their collective silhouettes shut out all the daylight. The station and all its friendly bustle was blotted out, had receded into the far background, a thousand miles away for all the help it could give me. I slapped the glass wearily aside, came slowly out.One of them flashed a badge - maybe Crow had loaned him his for the occasion. 'You're being arrested for putting slugs in that phone. It won't do any good to raise your voice and shriek for help, try to tell people different. But suit yourself.'I knew that as well as he; heads turned to stare after us by the dozens as they started with me in their midst through the station's main-level. But not one in all that crowd would have dared interfere with what they mistook for a legitimate arrest in the line of duty. The one with the badge kept it conspicuously tilted in his upturned palm, at sight of which the frozen onlookers slowly parted, made way for us through their midst. I was being led to my doom in full view of scores of people. ("Graves For The Living")

I saw her sign the register, but her name isn't on it any more. The bellboy says he never saw her. Now they've got me so I'm scared and shaky, like a little kid is of the dark. I want you men to help me. Won't you men help me?''We'll help you' - said the lieutenant in charge. Slowly, awfully slowly; I didn't like that slowness - 'if we're able to.' And I knew what he meant; if we find any evidence that your story is true.("All At Once, No Alice")

And he's alone there, with the unconscious pilot lying a little way off for company, and some other guy he's never even seen, only spoken to over the radio.He wants to sleep so badly - dying they call it - and he can't. Something's bothering him to keep him awake. ("Jane Brown's Body")

He's prowling back and forth like a lion with distemper now. There's a shiny streak down one side of his face. "I shouldn't have let her go ahead - I ought to be hung! Something's gone wrong. I can't stand this any more!" he says with a choked sound. "I'm starting now -""But how are you -""Spring for it and fire as I go if they try to stop me." And then as he barges out, the fat lady waddling solicitously after him, "Stay there; take it if she calls - tell her I'm on the way-"He plunges straight at the street-door from all the way back in the hall, like a fullback headed for a touchdown. That's the best way. Gun bedded in his pocket, but hand gripping it ready to let fly through lining and all. He slaps the door out of his way without slowing and skitters out along the building, head and shoulders defensively lowered.It *was* the taxi, you bet. No sound from it, at least not at this distance, just a thin bluish haze slowly spreading out around it that might be gas-fumes if its engine were turning; and at his end a long row of un-colored spurts - of dust and stone-splinters - following him along the wall of the flat he's tearing away from. Each succeeding one a half yard too far behind him, smacking into where he was a second ago. And they never catch up. ("Jane Brown's Body")

The struggle doesn't last long; it's too unequal. Their momentary surprise overcome, they close in on him. The well-directed slice of a gun-butt slackens the good arm; it's easy to pry the disabled one from around the racketeer's collar.Tereshko is trembling with his anger. 'Now him again!' he protests, as though at an injustice. 'All they do is die and then get up and walk around again! What'sa matter, you guys using spitballs for slugs? No, don't kick at him, that'll never do it - I think the guy has nine lives!' ("Jane Brown's Body")

She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all.He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man.If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion.("Three O'Clock")

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!'He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it!Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn")

A second red-orange spearhead leaps straight at O'Shaughnessy. The whole world seems to stand still. Then the gun behind it crashes, and there's a cataclysm of pain all over him, and a shock goes through him as if he ran head-on into a stone wall.A voice from the car says blurredly, while the ground rushes up to meet him, 'Finish him up, you guys! I'm getting so I don't trust their looks no more, no matter how stiff they act!' ("Jane Brown's Body")

I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.

When I came out into the outside room again, I saw her shoe still lying there, where it had come off in the course of our brief wrestle. It looked so pathetic there by itself without an owner, it looked so lonely, it looked so empty. Something made me pick it up arid take it in to her. Like when someone's going away, you help them on with their coat, or their jackboots, or whatever it is they need for going away.I didn't try to put it back on her, I just set it down there beside her close at hand. You're going to need this, I said to her in my mind. You're starting on a long walk. You're going to keep walking from now on, looking for your home.I stopped and wondered for a minute if that was what happened to all of us when we crossed over. Just keep walking, keep on walking, with no ahead and no in-back-of; tramps, vagrants in eternity. With our last hope and horizon - death - already taken away.In the Middle Ages they had lurid colors, a bright red hell, an azure heaven shot with gold stars. They knew where they were, at least. They could tell the difference. We, in the Twentieth, we just have the long walk, the long walk through the wispy backward-stringing mists of eternity, from nowhere to nowhere, never getting there, until you're so tired you almost wish you were alive again. ("Life Is Weird Sometimes" - first chapter of unpublished novel THE LOSER)

Babette looked too good for the place tonight, but then goodness is only relative after all ("Steps Going Up" aka "Guillotine" aka "Men Must Die")

And then finally she came - and the whole world faded out around us and we were just alone on the crowded sidewalk. I've heard it called love.("I Won't Take a Minute" aka "I'll Just Be a Minute" aka "Wait for Me Downstairs" aka "Finger Of Doom")

Then without any warning the car stopped. They were there."The ride's over," someone said. "End of the ride."For a moment nobody got out. They just sat there. The driver cut the ignition, and after that there was silence. Complete, uncanny silence, more frightening than the most threatening noise or violence could have been. Night silence. A silence that had death in it. ("The Number's Up")

...all a guy can do is die once. The big difference is whether he dies clean - or dirty... ("I'm Dangerous Tonight")

She had said: 'You could not hate anyone that much -' She was mistaken. What did she know? She felt so good right now, this must be hate, what else could it be?("Mind Over Murder")