Anne Carson

...I am talking about evil.It blooms.It eats.It grins.

Come here, let me share a bit of wisdom with you.Have you given much thought to our mortal condition?Probably not. Why would you? Well, listen.There's no one alivewho can say if he will be tomorrow.Our fate moves invisibly! A mystery.No one can teach it, no one can grasp it.Accept this! Cheer up! Have a drink!You can let the rest go. Am I making sense?I think so. How about a drink.Put on a garland. I'm surethe happy splash of wine will cure your mood.We're all mortal you know. Think mortal.Because my theory is, there's no such thing as life,

Pilgrims were people glad to take off their clothing, which was on fire.

The story concerns the reason why we love to fall in love. Beauty spins and the mind moves. To catch beauty would be to understand how the impertinent stability in vertigo is possible. But no, delight need not reach so far. To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.

When an individual appreciates that he alone is responsible for the content and coherence of his person, an influx like eros becomes a concrete personal threat. So in the lyric poets, love is something that assaults or invades the body of the lover to wrest control of it from him, a personal struggle of will and physique between the god and his victim. The poets describe this struggle from within a consciousness _ perhaps new in the world _ of the body as a unity of limbs, senses and self, amazed at its own vulnerability.

...Heracles was strangely silent. What is he thinking? / Geryon wondered. / Geryon watched prehistoric rocks move past the car and thought about thoughts. / Even when they were lovers / he had never known what Herakles was thinking. Once in a while he would say, / Penny for your thoughts! / and it always turned out to be some odd thing like a bumper sticker or a dish / he'd eaten in a Chinese restaurant years ago. / What Geryon was thinking Herakles never asked. In the space between them / developed a dangerous cloud.

perhaps you know that Ingeborg Bachmann poemfrom the last years of her life that begins"I lose my screams"dear Antigone,I take it as the task of the translatorto forbid that you should ever lose your screams

Come here, let me share a bit of wisdom with you.Have you given much thought to our mortal condition?Probably not. Why would you? Well, l

Grief and rage--you need to contain that, to put a frame around it, where it can play itself out without you or your kin having to die. There is a theory that watching unbearable stories about other people lost in grief and rage is good for you--may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn't that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.

Her marble tears run down her marble face.A stranger is someone who has no handkerchief.Who has no words to say.Whose shadow mind is burningas he sits watching her handsand thinks how rare!to see a Romantalkwith no gestures at all.

Friends disappear or they are powerless. This is what misfortune meansan acid test of friendship.I wouldn't wish it on anyone.

all the tall mad mountains of her mind

The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbola never perfectly match. Eros is in between.

Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.

LIII.What is the holiness of conversation? It isto master death.

I will not stop singingthe Muses who set me dancing.

Reality is a sound, you have to tune in to it not just keep yelling.

Kreon: here are Kreon's verbs for todayAdjudicateLegislateScandalizeCapitalizehere are Kreon's nounsMenReasonTreasonDeathShip of StateMineChorus: "mine" isn't a nounKreon: it is if you capitalize it