Our culture is obsessed with perfection, especially when it comes to the way women look. The parameters of acceptability as far as physical appearance go are so limiting that only a handful of women actually fall into this category. And the rest of us are left to either squeeze ourselves into molds that don't fit, hating ourselves all the while, or we just give up entirely.
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Women are understood to have an advantage when it comes to embodiment as by their very nature they are considered to be closer to their bodies, more available to them. So here we have a turning of the tides: rather than the attunement to the body being an obstacle and a curse, it now becomes a spiritual advantage and a way of advancement.
I am wondering if many of the things that we say about ourselves as women, are actually responsible for leading us down detrimental paths in life. For example, usually we like to say that we're crazy, messy and lost. But when I think about it, I want to be of sound mind, with purpose and unlost (if there is such a word as unlost). Really, who wants to be mentally unstable and eternally insecure? I think maybe we need to stop saying these things about ourselves and we need to start seeing ourselves as what and who we really want to be.
There's something about the flower that grows through the rocks, the pavement; through logs and stone or brick walls... all roses are beautiful; but the rose that emerges unexpectedly through the asphalt has a beauty of soul. The flower that reaches through the brokenness of the wall has a beauty of spirit. You stop to look and not only to look but to cherish! Somewhere along its journey, it decided that it would reach for what was unseen, keep going in the direction of something that wasn't felt, it decided that it would be. That it would become. And it did. And there is something irreplaceable about that.
Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons.Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn__ take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston__ conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston__ conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn__ seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered __heating,_ since knowledge of the affair was withheld as much as possible from his wife Flora May.Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923.As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy.
At its heart, Codependency is a set of behaviors developed to manage the anxiety that comes when our primary attachments are formed with people who are inconsistent or unavailable in their response to us. Our anxiety-based responses to life can include over-reactivity, image management, unrealistic beliefs about our limits, and attempts to control the reality of others to the point where we lose our boundaries, self-esteem, and even our own reality. Ultimately, Codependency is a chronic stress disease, which can devastate our immune system and lead to systemic and even life-threatening illness.
I am protective of the gentle slope of stomach bulging like an early pregnancy, at my waist. I've earned its existence with everything I've been forced to swallow.
Consider the impact of your personal care choices on our health, water supply and our wider environment.
A glad zest and hopefulness might be inspired even in the most jaded and ennui-cursed, were there in our homes such simple, truthful natures as that of my heroine, and it is in the sphere of quiet homes__ot elsewhere__ believe that a woman can best rule and save the world.
The small woman Builds cages for everyone She Knows. While the sage, Who has to duck her head When the moon is low, Keeps dropping keys all night long For the Beautiful Rowdy Prisoners (Courtesy of my dear friend, Conni)
Women strive to be the change they want to see in the mirror.
What do women want?" Sigmund Freud cried. Books and cats are a good start.
Through Christ we have victory.
I understand. I know about the women gathering at Lourdes, the visits worldwide. You are all staying at the chateau. There are no accidents,_ Lilli said.
The greatest gift to man is woman, But the greatest gift to woman is herself.
Woman must be financially independent to be free in love
Our mothers were largely silent about what happened to them as they passed through this midlife change. But a new generation of women has already started to break the wall of silence.
- Paddle Your Own CanoeVoyager upon life's sea,To yourself be true,And whatever your lot may be,Paddle your own canoe.Never, though the winds may rave,Falter or look back;But upon the darkest waveLeave a shining track.Paddle your own canoe.Nobly dare the wildest storm,Stem the hardest gale,Brave of heart and strong of armYou will never fail.When the world is cold and dark,Keep your aim in view;And toward the beacon work,Paddle your own canoe. .....Would you crush the giant wrong,In the world's free fight?With a spirit brave and strong,Battle for the right.And to break the chains that bindThe many to the fewTo enfranchise slavish mind,-Paddle your own canoe.Nothing great is lightly won,Nothing won is lost,Every good deed, nobly done,Will repay the cost.Leave to Heaven, in humble trust,All you will to do:But if succeed, you mustPaddle your own canoe.