sonnets

Where Do You Show Up to Share What You Have to Offer?When You Love What You Do-You Share It Daily

Lorenzo: In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson. Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont. Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one. Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her. Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.

Were kisses all the joys in bed,/One woman would another wed.

I am, and that is all I know at times,My being shaped by forces known and not.But whereas words are made to bend to rhymes,My feet are bound to steps that I have wrought.I feel myself expanding into thisBeautiful niche I could not see beforeBut I always sensed-and now I cannot missMyself: I am unlimited and moreIs opening to me, the more I open To this sweet fear, like falling from a cloud,My heart's inertia clear and calm, unspokenBut heard. It says to me: "You are allowed."And I am free at last to feel this wayTo take this step: to wonder, love and stray.

My love is as a fever, longing stillFor that which longer nurseth the disease;Feeding on that which doth preserve the ill,The uncertain sickly appetite to please.My reason, the physician to my love,Angry that his prescriptions are not kept,Hath left me, and I desperate now approve,Desire his death, which physic did except.Past cure I am, now reason is past care,And frantic-mad with evermore unrest;My thoughts and my discourse as madmen's are,At random from the truth vainly express'd;For I have sworn thee fair, and thought thee bright,Who art as black as hell, as dark as night.

Then the conceit of this inconstant staySets you rich in youth before my sight,Where wasteful Time debateth with Decay,To change your day of youth to sullied night;And all in war with Time for love of you,As he takes from you I engraft you new.

To give yourself away keep yourself still,And you must live drawn by your own sweet skill.

But from thine eyes my knowledge I derive,And, constant stars, in them I read such art,As truth and beauty shall together thriveIf from thyself to store thou wouldst convert;Or else of thee I prognosticate,Thy end is truth's and beauty's doom and date.

Then of thy beauty do I question make,That thou among the wastes of time must go,Since sweets and beauties do themselves forsake,And die as fast as they see others grow.

For all that beauty that doth cover theeIs but the seemly raiment of my heart,Which in thy breast doth live, as thine in me.How can I then be elder than thou art?

Then, were not summer's distillation leftA liquid prisoner pent in walls of glass,Beauty's effect with beauty were bereft,Nor it nor no remembrance what it was.But flowers distilled, though they with winter meet,Leese but their show; their substance still lives sweet.

They think thee mad? I'll show thou mad, my lord.

In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,__he latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.

Reading your sonnets?_ asked Orphu. Mahnmut closed the book. __ow__ you know? Have you taken up telepathy now that you__e lost your eyes?_ __ot yet,_ rumbled the Ionian. Orphu__ great crab shell was lashed to the deck ten meters from where Mahnmut sat near the bow. __ome of your silences are more literary than others, is all.

Sweetheart, darling, dearest, it was funny to think that these endearments, which used to sound exceedingly sentimental in movies and books, now held great importance, simple but true verbal affirmations of how they felt for each other. They were words only the heart could hear and understand, words that could impart entire pentameter sonnets in their few, short syllables.

Ode to the Chamber...linger here amidst the chamberin which we embrace our lovetalk to me of sonnetsand call me turtledove...