photography

Photography is the art of making memories tangible.

There had to be something new, some fresh angle. As the rain pattered down around him, Kapenda thought. What was the weirdest thing he'd seen since this all started? He'd been in the tiny town of Chew Stoke a few weeks earlier, filming the remains of a vehicle that had been washed into a culvert and whose driver had died. In Grovehill, no one had died yet but there were abandoned cars strewn along the streets and surrounding tracks, hulking shapes that the water broke around and flowed over in fractured, churning flurries.That was old. Every television station had those shots.He'd been there the year before when the police had excavated a mud-filled railway tunnel and uncovered the remains of two people who had been crushed in a landslide. What they needed was something like that here, something that showed how weak man's civilized veneer was when set against nature's uncaring ferocity. He needed something that contrasted human frailty and natural strength, something that Dali might have painted - a boat on a roof, or a shark swimming up the main street. He needed that bloody house to collapse.("Into The Water")

As Marcel Proust understood, memory is not exclusively or even predominantly visual. It is synesthetic, a combination and even a confusion of the senses that no simple image can reach or encapsulate. A photograph can act as a spur to memory, it can yield treasures, like looking under your bed and finding the baseball card you were certain you lost. But an image stands mute before the inexpressible delicacy, horror, humor, and associative complexity of our experience.

Your most important gear is your eye, heart and soul.

What makes Capa a great photo journalist?" asks a reporter covering a 1998 retrospective of his work. "We see his own appetite for life, his mix of urgency with compassion . . . the artistic thrust of his photography always had more to do with its emotional pitch, which remained genuine and deeply felt." Or, in Capa's own words, a great picture "is a cut out of the whole event which will show more of the real truth of the affair to some one who was not there than the whole scene.

Photography is the story I fail to put into words.

You see, i f you have t rue photographic vision, you have clar i ty and i f you haveclarity, you don't need to explain or defend your images.Clar i ty is about what emot ions or feel ings the image is t rying to evoke, not the fact sbehind the image.Photographic clar i ty is about passion of purpose. I t 's about a single-minded desi reto protect a memory. I t 's about story tel l ing wi th a camera that 's so power ful , nowords are necessary.

Photographers are the history makers, because every picture is a moment which gone fore ever and can not be re shoot.__ Biju Karakkonam Nature and Wild life Photographer

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A photograph can communicate a couple things_ and sometimes only one thing__ery well. The more you try to say with your photograph, the greater the chance that you will say nothing at all.

Ultimately, what I am seeking in the photograph taken of me... is Death: Death is the eidos of that Photograph

He's got a box with a demon in it that draws pictures," said Rincewind shortly. "Do what the madman says and he will give you gold.

Life is likephotography we develop from the negatives

Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it occurs in the field of the photographed thing like a supplement that is at once inevitable and delightful; it does not necessarily attest to the photographer's art; it says only that the photographer was there, or else, still more simply, that he could not (i)not(i) photograph the partial object at the same time as the total object (how could Kerész have 'separated' the dirt road from the violinist walking on it?). The Photographer's 'second sight' does not consist in 'seeing' but in being there. And above all, imitating Orpheus, he must not turn back to look at what he is leading _ what hi is giving to me!

Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever.

I look for ambiguity because life is ambiguous!

To me, the world and art of photography is to capture emotion, feelings and moments; and share it with the world.I master the art when I am capable of awaking emotion in other people through my images.

As long as we__e alive and interacting with life, the world, and the people around us, we__l have something to say.