I climbed aboard a Greyhound bus and rode it to New York without telling anyone, without so much as a goodbye. What was I thinking? I wasn__. I was young and stupid and broken. I knew from watching movies that broken people hopped on buses and disappeared. New York seemed far away, geographically, mentally.
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I have forgiven Sonora. I have forgiven New York, forsaken the recursion of history. But I do not yet know how to forgive myself.
When you're single, your weekend days are wide-open vistas that extend in every direction; in a relationship, they're like the sky over Manhattan: punctured, hemmed in, compressed.
Have you ever experienced a beauty of soul, an esthetic grace, that was so intense it made you want to cry?"From Central Park Song ( A Screenplay )
Enjoy your cinnafucks!
Everyone has their own New York in the heart, place where there is hope for everybody.
The darker side of the City tried to emphasize the selfish parts of me by encouraging my sense of entitlement and my desire for personal space. But God seemed to whisper that the alternative existed: to let Him grow humility and concern for others in a way I had never experienced, to live out His peace amid whirling chaos. (p.67)
New Yorkers love the bigness -- the skyscrapers, the freedom, the lights. But they also love it when they can carve out some smallness for themselves. When the guy at the corner store knows which newspaper you want. When the barista has your order ready before you open your mouth. When you start to recognize the people in your orbit, and you know that, say, if you're waiting for the subway at eight fifteen on the dot, odds are the redhead with the red umbrella is going to be there too.
It was a brave city, she decided, eyeing them. Brave in its other sense; not courageous, so much as outstanding, commanding. It was too nice a town to die in. Though it had no honeysuckle vines and no balconies and no guitars, it was meant for love. For living and for love, and the two were inseparable; one didn't come without the other.("Too Nice A Day To Die")
She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
In some neighborhoods, faces mature faster than bodies.
Six month of sitting home, six month of doing absolutely nothing but watching TV, going out, sleeping, getting drunk and sleeping again. Oh no, wait, I was busy with something, I was doing some renovations in my new apartment. Which legally became mine only a month ago. Yep, that's what all my life has been about, spontaneous decisions and living in the moment. Because right now technically I'm a 25-year-old illegal immigrant from Russia, four years in New York, no papers, no work authorization, no work itself. Only a crazy life filled with restaurants, shops, beauty salons, clubs and restaurants again. How is it all possible? Very simple. I used to be a stripper.
I used to go to church. I even went through a rather intense religious period when I was sixteen. But the idea of an everlasting life -- a never-ending banquet, as a stupid visiting minister to our church once appallingly described it -- filled me with a greater terror than the concept of extinction...
Not the least of the hardships to which the dying are subject is the visitation of their loved ones. The poor darlings, God bless them, may feel every impulse to condole and console, but their primary sensation is nonetheless one of embarrassment in the presence of the unspeakable and a guilty gratitude that it is not yet their fate.
But Pierre had been born with a shrewdness that made him early aware that a failure to believe that human events were ordered by a higher power was regarded by many in the highest positions as obnoxious and even sinful, and as nothing was to be gained by exciting such hostility, it was better to give a silent or even smiling assent to the fatuous idealism to which, particularly in youth, one was so relentlessly exposed.
Forgiving himself came easy to him. His, he'd come to realize, was a forgiving nature.
Nothing felt better to him than the act of waiting for her. As long as he believed it wasn__ in vain, he was able to justify his presence.
Life was a swirl of mysteries, each one waiting to be plucked up and explored, but not necessarily solved. As the weight of responsibility bore down on a person, it could feel like a long list of chores leading up to the final one - figuring out how to die with dignity. But Quincy__ interpretation of his surroundings seemed a truer representation of life__ meaning, or rather, the lack of meaning other than to dazzle and delight and befuddle from cradle to grave.