milton

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.

Whose but his own? ingrate, he had of meeAll he could have; I made him just and right,Sufficient to have stood, though free to fall.Such I created all th_ Ethereal PowersAnd Spirits, both them who stood and them who fail__;Freely they stood who stood, and fell who fell.Not free, what proof could they have giv__ sincereOf true allegiance, constant Faith or Love,Where only what they needs must do, appear__,Not what they would? what praise could they receive?What pleasure I from such obedience paid,When Will and Reason (Reason also is choice)Useless and vain, of freedom both despoil__,Made passive both, had served necessity,Not mee. They therefore as to right belong__,So were created, nor can justly accuseThir maker, or thir making, or thir Fate;As if Predestination over-rul__Thir will, dispos__ by absolute DecreeOr high foreknowledge; they themselves decreedThir own revolt, not I; if I foreknewForeknowledge had no influence on their fault,Which had no less prov__ certain unforeknown.So without least impulse or shadow of Fate,Or aught by me immutable foreseen,They trespass, Authors to themselves in allBoth what they judge and what they choose; for soI form__ them free, and free they must remain,Till they enthrall themselves: I else must changeThir nature, and revoke the high DecreeUnchangeable, Eternal, which ordain__Thir freedom: they themselves ordain__ thir fall.

Father, I do acknowledge and confessThat I this honor, I this pomp have broughtTo Dagon, and advanc__ his praises highamong the Heathen round; to God have broughtDishonor, obloquy, and op__ the mouthsOf Idolists, and Atheists[_]The anguish of my Soul, that suffers notMine eye to harbor sleep, or thoughts to rest.This only hope relieves me, that the strifeWith mee hath end.

All that can best be expressed in words should be expressed in verse, but verse is a slow thing to create; nay, it is not really created: it is a secretion of the mind, it is a pearl that gathers round some irritant and slowly expresses the very essence of beauty and of desire that has lain long, potential and unexpressed, in the mind of the man who secretes it. God knows that this Unknown Country has been hit off in verse a hundred times...Milton does it so well in the Fourth Book of Paradise Lost that I defy any man of a sane understanding to read the whole of that book before going to bed and not to wake up next morning as though he had been on a journey.

For books are not absolutely dead things, but... do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous Dragon's teeth; and being sown up and down, may chance to spring up armed men. And yet on the other hand unless warriors be used, as good almost kill a Man a good Book; who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills Reason itself, kills the Image of God, as it were in the eye. Many a man lives a burden to the Earth; but a good Book is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life.John MiltonAreopagitica

So spake the enemy of mankind, enclosedIn serpent, inmate bad! and toward EveAddressed his way: not with indented wave,Prone on the ground, as since; but on his rear,Circular base of rising folds, that toweredFold above fold, a surging maze! his headCrested aloft, and carbuncle his eyes;With burnished neck of verdant gold, erectAmidst his circling spires, that on the grassFloated redundant: pleasing was his shapeAnd lovely; never since of serpent-kindLovelier_

They changed their minds, Flew off, and into strange vagaries fell.

I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.

What kind of dark, twisted mind preys on young women? I think it was Poe that said the death of a beautiful woman is the most poetical thing in the universe, and if that was true_ I was John Milton.

I saw a lot of men die there. Most men. Do you know what killed them?___espair,_ said Finney. __hey believed themselves to be prisoners. I lived with those men, ate the same maggot-infested food, slept in the same beds, did the same back-breaking work. But they died and I lived. Do you know why?_ __ou were free._ __ was free. Milton was right_the mind is its own place. I was never a prisoner. Not then, not now.

The mind is a universe and can make a heaven of hell, a hell of heaven.

The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil's party without knowing it.