lyrical

Not a week after Annie put her foot in Mrs. Huffmaster's duff, the Captain upped and laid down the date.

Look," she said, and just that. That was the only time she opened her mouth, because she wanted to say something unnecessary, something that wouldn't be important or memorable, so I wouldn't have to remember her voice.We looked at the veil then, the thing that had turned her this way, and we smiled.

Sometimes in life you meet a femme fatale and you can refuse them nothing they treat you like dirt but even the dirt they dish out has a taste you can resist?From the novel 'Adventures of a Dark Duke: The Pin

Distance, the dissonance insurmountable,would be not the end,but a magnet.When fingertips kiss,they imprint and cement something,that cannot be disintegrated. Time becomes a phantom,the wind becomes an anchor,and old dreams- blankets of warmth.Lull with me, Lady,there is no greater escape.Love and war, even when buttered on toast,still makes for the breakfast of champions.

Calico KittyMy calico kittywas painted and primedshe could prowlthe night away ~without spending a dime...

I think I can hear the unseen moon

Unkar Delta at Mile 73The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke__ description of __aspberry-red color, tempered with a what-not of mauve, heliotrope, and violet._ Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

The sea, the snotgreen sea, the scrotumtightening sea.

we not only wish to be pleased, but to be pleased in that particularway in which we have been accustomed to be pleased.

Why do I find it hard to write the next line?

_ in these new days and in these new pages a philosophical tradition of the spontaneity of speculation kind has been rekindled on the sacred isle of _ire, regardless of its creative custodian never having been taught how to freely speculate, how to profoundly question, and how to playfully define. Spontaneity of speculation being synonymous with the philosophical-poetic, the philosophical-poetic with the rural philosopher-poet, and by roundelay the rural philosopher-poet thee with the spontaneity of speculation be. And by the way of the rural what may we say? A philosopher-poet of illimitable space we say. Iohannes Scottus _riugena the metaphor of old salutes you; salutes your lyrical ear and your skilful strumming of the rippling harp. (Source: Hearing in the Write, Canto 19, Ivy-muffled)

Stacks on deckPatrone on iceAnd we can pop bottles all nightAnd baby you could have whatever you likeLate night sex so wet so tightI'll gas up a jet for you tonightAnd baby you could go where ever you like

Erik: Are you very tired?Christine: Oh, tonight I gave you my soul, and I am dead.Erik: Your soul is a beautiful thing, child. No emperor received so fair a gift. The angels wept to-night.

I am a tale, I am a book, written in different languages and styles I can__ be read, can__ be understood,neither by me nor the greatest of minds I am too big, I am too small, to be processed or seen by the naked eyeI am too dim, I am too bright, to appear in the shadows or the sunshine.

Incredible. It is just incredible that you can notice something like that when your face is so cold you can't feel it anymore, and you know perfectly well you are surrounded by death, and the only way to stay alive is to endure the howling wind and hold your course. And still the sky is beautiful.