language

They say that maths is a language. So how do I order a pizza with extra cheese in maths?

The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.

I personally believe we developed language because of our deep inner need to complain.

Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.

Freedom, one of the most important words in any language.

In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature_ When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond _ the law and the liberty.

Ideology is strong exactly because it is no longer experienced as ideology_ we feel free because we lack the very language to articulate our unfreedom.

But the Hebrew word, the word timshel___hou mayest__ that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if __hou mayest___t is also true that __hou mayest not.

We feel free because we lack the very language to articulate our unfreedom.

One day, it will all make sense, it will all be revealed. Until then, we learn to live and accept our shadows, our Déj_ vu's, our dreams, our intuition that takes us to places that our minds never conceived, our bodies only perceived and our souls gladly remembered. Conversations and experiences amuse me, for I am experimenting with my feelings in ways that I can only do down here. Language makes up for a very interesting, yet bizarre way of putting thoughts into spoken form for the sound to move on in other peoples' ears, but every language, every sound, every word carries with it a long history, a deep culture and the souls of the many people who have previously used it throughout the centuries. Our hearts give us direction, hope and the passion to keep moving forward.. But what we do when they're frozen, broken, torn apart by an unhealthy way of living is what gives us new strength to push forward or kills us completely. Deep inside, we feed the entities that empower the fight between our internal demons and angels. We feed them with our thoughts, our emotions, our self-talk and the external talk that we lower our shields to at times. Whether good or bad, this brings about a change internally and at times there isn't much we can do to protect ourselves. At times, we need to let things be and go along with it. Of course, we're all worried, stressed, confused and lacking direction at times and we're in the same way at peace, stable and walking in the right direction once we get things sorted. Give it some time, give it some light, give it some love. You're not very far away.

Goal: Clean air, clean clear-running rivers, the presence of Pelican and Osprey and Gray Whale in our lives; salmon and trout in our streams; unmuddied language and good dreams.

The predominant cancer metaphor is war. We fight cancer, usually valiantly. We attack tumors and try to annihilate them and bring out our arsenals to do that, and so on. It's us against cancer. This metaphor has come in for its share of criticism within the ethical, psychological and even oncological disciplines. A main concern is that when someone dies of cancer, the message that remains is that that person just hasn't fought hard enough, was not a brave enough soldier against the ultimate foe, did not really want to win.The cancer-is-war metaphor does not seem to allow space for the idea that in actual war, some soldiers die heroically for the larger good, no matter which side wins. War is death. In the cancer war, if you die, you've lost and cancer has won. The dead are responsible not just for getting cancer, but also for failing to defeat it.

What is at work in this report is the reduction of language to code. Cliches, coined by the state, become the only acceptable vocabulary. Everyone knows what to say and how to respond. It is scripted. Vocabulary shrinks so that the tyranny of nationalist rhetoric leaves people sputtering state-sanctioned slogans.

It was as much a battle of wits and words as it was of mitts and swords.

Today words like 'persevere' and 'hero__ death' had been so ceaselessly bandied about that they had long since acquired an ironic sound__t least wherever there was actual fighting. . . . Once, before an attack, Sturm had heard an old sergeant say the following: 'Kids, we__e going over there now to gobble up the Englishmen__ rations.' It was the best battle address that he had ever heard. That was surely something good in the war__hat it destroyed glorious-sounding phrases. Concepts that hung fleshless in the void were overcome by laughter.

Historically, the Germans had a habit of associating the names of objects with the sounds they made. After bell makers-turned-cannon-makers learned that by closing off the mouth of the cannon before lighting the fuse, the entire cannon could be made to explode, the device they invented became known as the 'bum' (for boom!). In keeping with this tradition, the first one-thousand-pound bomb was dubbed 'ein laussen bum' (meaning, "a loud boom"). After the first atomic bomb was dropped on Hiroshima, they called the fission device 'ein grossen laussen bum' (or, "a big loud boom"). The next obvious step was the fusion, or H-bomb, which was pronounced 'ein grossen laussen bum all ist kaput!

It is very useful, when one is young, to learn the difference between "literally" and "figuratively." If something happens literally, it actually happens; if something happens figuratively, it feels like it is happening. If you are literally jumping for joy, for instance, it means you are leaping in the air because you are very happy. If you are figuratively jumping for joy, it means you are so happy that you could jump for joy, but are saving your energy for other matters.

The fact that in the twentieth century a greater proportion of the people in the world could communicate with one another, using English or just a few other languages, appears not to have stopped any wars, nor to have reduced the frequency with which wars have broken out, nor to have made the wars that have broken out less brutal. In fact, several murderous wars have been fought recently among people who speak 'the same language' in real terms.