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None of it made any sense to her - the deceit, the betrayal, the sheer chutzpah of it. Like something from a movie. Who in real life acted this way? But then she remembered this had happened in India, and India was not real life. The most heartbreaking, most desperate, most bizarre stories she had ever heard all came from India. Every story was epic; every emotion was exaggerated; every action was melodramatic. Desperate love, mad obsessions, outbursts of rage, bizarre self sacrifice, self immolation. Young women eat rat poison, jumping off buildings, or burning themselves alive. Young men throwing themselves onto railroad tracks in the path of oncoming trains. And all this self destruction over issues that in the West would be solved by a simple elopement or estrangement from one's parents or a move to a different city.

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Thrity Umrigar

The Story Hour

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That particular fear has the texture you can neither forget nor describe. It is like the fear of the victims of an earthquake, of people who have lost faith in the stillness of the earth. And yet it is not the same. It is without analogy for it is not comparable to the fear of nature, which is the most universal of human fears, nor to the fear of violence of the state, which is the commonest of modern fears. It is the fear that comes from the knowledge that normalcy is utterly contingent, that spaces that surround one, the streets that one inhabits, can become, suddenly and without warning, as hostile as a desert in a flash flood. It is this that sets apart the thousand million people who inhabit the subcontinent from the rest of the world - not language, not food, not music - it is the special quality of loneliness that grows out of the fear of the war between oneself and one's image in the mirror.

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And then, of course, there was the sari itself. What a garment, Randy! There isn__ another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman__ shape but hides the faults a skirt can__ _ under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman__ hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn__ even have to undress her to see it. I was completely smitten.

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I am pain-stricken to say, since the moment I was born, I have found nothing extraordinary in this ancient land of greatness to be exceptionally proud of. I am not a proud Indian. India at its present condition has given me no reason to feel proud.However, I do feel proud of the ancient Indians, just like I feel proud of the ancient Greeks, the Mayans, the ancient Egyptians, the Babylonians and so on. Scientists are beyond borders, just like the ancient scientists of India, whom you prefer to call as sages.

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Abhijit Naskar

Prescription: Treating India's Soul

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Migration is often accompanied by a feeling of unavoidable disorientation, and the circumstances of 1947 would have pronounced this feeling. In most cases, it would have created an involuntary distance between where one was born before the Partition and where one moved to after it, stretching out their identity sparsely over the expanse of this distance. As a result, somewhere in between the original city of their birth and the adopted city of residence, would lay their essence _ strangely malleable.

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Aanchal Malhotra

Remnants of a Separation: A History of the Partition through Material Memory