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As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.

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Although a little noisy at first, in a bizarre twist of fate, electronic music became popular in France in the 1890__ before fizzling out in favor of Swing music _ which somehow made an early appearance in the 1900__. In another alternative timeline, the Beatles never existed and England invented popcorn and hamburgers in the 1840__. Damn, that__ what almost happened last time again, thought Scrooby tensely, while maneuvering himself onto a stronger looking branch. Details, everything was about the details. Sometimes there was almost too much detail to keep up with.

CE
Christina Engela

The Time Saving Agency

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When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of human

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Just as little as a reader today reads all of the individual words (let alone syllables) on a page__ather he picks about five words at random out of twenty and "guesses" at the meaning that probably belongs to these five words__ust as little do we see a tree exactly and completely with reference to leaves, twigs, color, and form; it is so very much easier for us to simply improvise some approximation of a tree. Even in the midst of the strangest experiences we will still do the same: we make up the major part of the experience and can scarcely be forced not to contemplate some event as its "inventors." All this means: basically and from time immemorial we are__ccustomed to lying. Or to put it more virtuously and hypocritically, in short, more pleasantly: one is much more of an artist than one knows.

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One of the seats of emotion and memory in the brain is the amygdala, he explained. When something threatens your life, this area seems to kick into overdrive, recording every last detail of the experience. The more detailed the memory, the longer the moment seems to last. "This explains why we think that time speeds up when we grow older," Eagleman said--why childhood summers seem to go on forever, while old age slips by while we__e dozing. The more familiar the world becomes, the less information your brain writes down, and the more quickly time seems to pass.