The pleasure of criticizing takes away from us the pleasure of being moved by some very fine things.
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A social critic is someone whose work revolves around where and how our successes are failing us.
You can control the visibility of my name and my popularity, but you cannot control the frequency at which people are quoting me. Truth always rises with time.
One who enjoys finding errors will then start creating errors to find.
There was and still is a tremendous fear that poor and working-class Americans might one day come to understand where their political interests reside. Personally, I think the elites worry too much about that. We dumb working folk were clubbed into submission long ago, and now require only proper medication for our high levels of cholesterol, enough alcohol to keep the sludge moving through our arteries, and a 24/7 mind-numbing spectacle of titties, tabloid TV, and terrorist dramas. Throw in a couple of new flavours of XXL edible thongs, and you've got a nation of drowsing hippos who will never notice that our country has been looted, or even that we have become homeless ourselves.
Never presume to know a person based on the one dimensional window of the internet. A soul can__ be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person__ personality and intent. Until people __et that_, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Feminism's failings do not mean we should eschew feminism entirely. People do terrible things all the time, but we don't regularly disown our humanity. We disavow the terrible things. We should disavow the failures of feminism without disavowing its many successes and how far we have come.
Normative statements about "women's roles" and girls' and women's behaviour being "appropriately feminine" were replaced with more neutral statements about what women and girl versus boys and men do and think and say they want. In this way, conventionally gendered behaviour was taken out of the context of prescription and presented as simple description. This had the possibly unanticipated consequence, though, of taking these behaviours out of the context of the social world. The descriptive approach significantly deemphasised the role of norms, social structures, and modelling in developing gendered traits. Instead, disembodied as "naked facts" of sex differences, they began to look more and more like simple reflections of male and female behaviour.
Lambhood and tigerishness may be found in either gender, and in the same individual at different times.
Happiness, after all, is generally measured as reported satisfaction with one's life - a state of mind perhaps more accessible to those who are affluent, who conform to social norms, who suppress judgment in the service of faith, and who are not overly bothered by societal injustice...The real conservatism of positive psychology lies in its attachment to the status quo, with all its inequalities and abuses of power. Positive psychologists' tests of happiness and well-being, for example, rest heavily on measures of personal contentment with things as they are.
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation__one other than an interest in being born again as somebody else__uggests that he is not happy!
Imagine America as one house on a suburban lane. Years before he became a Jehovah's Witness, Prince knocked on America's door through his music. He came to the door holding a guitar and an umbrella while concealing a Bible. He flirted his way inside the door and told us he had a dirty mind and was controversial, and then he sat down in the living room on the good couch. And, when America's guard was down, because we thought we were having a conversation about sex, Prince eased out his Bible and said, "Let me also tell you about my Lord and Savior, Jesus Christ.
The "norm" for humanity is love.Brutality is an aberration.We are not sinners by nature.We learn to be bad.We are taught to stray from our good paths.We are made to be crazy by other people who are also crazy and who draw for us a map of the world which is ugly, negative, fearful, and crazy.
Interpretation is the revenge of the intellectual upon art.
Toutes les erreurs de la critique commises _ mon égard, _ mes débuts, furent qu'elle ne vit pas qu'il ne fallait rien définir, rien comprendre, rien limiter, rien préciser, parce que tout ce qui est sincèrement et docilement nouveau - comme le beau d'ailleurs, porte sa signification en soi-même. La désignation par un titre mis _ mes dessins est quelquefois de trop, pour ainsi dire. Le titre n'y est justifié que lorsqu'il est vague, indéterminé, et visant même confusément _ l'équivoque. Mes dessins inspirent et ne se définissent pas. Ils ne déterminent rien. Ils nous placent, ainsi que la musique, dans le monde ambigu de l'indéterminé. Ils sont une sorte de métaphore.
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
...writers are often the worst judges of what they have written.
It's rather disconcerting to sit around a table in a critique of someone else's work, only to realize that the antagonist in the story is none other than yourself, and no one present thinks you're a very likable character.