color

What you can do, has nothing to do with your parents' last name! What you can do has nothing to do with the colour of your skin! What you can do is fully determined by God! It__ simple!

What a strange thing it is to wake up to a milk-white overcast June morning! The sun is hidden by a thick cotton blanket of clouds, and the air is vapor-filled and hazy with a concentration of blooming scent.The world is somnolent and cool, in a temporary reprieve from the normal heat and radiance.But the sensation of illusion is strong. Because the sun can break through the clouds at any moment . . .What a soft thoughtful time.In this illusory gloom, like a night-blooming flower, let your imagination bloom in a riot of color.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

Ever since the other boy had arrived half way through the semester, he'd been so blue, he was practically iridescent.

You're the girl from the song- the girl with kaleidoscope eyes.

At the edge you will always remember me, at the edge you will last be remembered, where sanity and insanity come together, for the time, then separates. Like leaves on October trees, that color the world, but for a moment, then leave. At the edge, where life losses its edginess, and thoughts we will become one, someday. At the edge the sun drops, the ring falls, and senses of raindrops climb upwards to the gray sky.

It's useless to paint a closed door, in order to change its color. The door needs to be open for both sides to change as same.

Keep it calm and watch the company you keep. It's either a red card or a green card you are holding. One guides you to go on, and the other makes you give up on scoring your goals

ContrastsThe windows of my poetry are wide open on the boulevards and in the shop windowsShineThe precious stones of lightListen to the violins of the limousines and the xylophones of the linotypesThe sketcher washes with the hand-towel of the skyAll is color spotsAnd the hats of the women passing by are comets in the conflagration of the eveningUnity There's no more unityAll the clocks now read midnight after being set back ten minutesThere's no more time.There's no more money.In the ChamberThey are spoiling the marvelous elements of raw material("Contrasts")

...I'm innocent still -inside me are stained glass windows that have never been broken- and when I see your light it stains my soul with color ...

The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes.

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it.("The Dreaming In Nortown")

238. I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.239. But now you are talking as if love were a consolation. Simone Weil warned otherwise. __ove is not consolation,_ she wrote. __t is light._240. All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light.

Come, fly with me!" cried the goddess, as she sped ahead of them, her extremities flaming with a comet tail of sparks in the supernatural wind. Her bubbling voice again echoed, her laughter bounced in the crystalline void, and she flew onward, unto eternity...."Stop!" cried Elasirr. "Come back with us to the true world, O Tilirreh!"At which the orange one laughed, throwing her head back, saying, "Oh, but don__ you know this is the one true world? It is but yours that is a pale specter, that is the dying place of dwindling truth?""Then come back with us, lady," whispered Ranhé, "and restore the truth as it once was.

All these many-coloured feelings fell... like light on a black surface, producing no change, meeting no return.

Color is the melody of light.

Dark energy is the absence of love, just as black is the absence of color. The more love, the more colors added to the palette, the more light is achieved.

When yellow lights struggle with blue shades in hairlike lines.