Transcendental artists are messengers. Their symbolic vocabulary originates from the infinite wisdom of higher spheres, in a non-referential time/space continuum... the way of the shaman. The presence of glyphs speaks a universal language of the soulthat transcends words. If one considers the notion of parallel realities and the plurality of dimensional realms, the premise of art as "consciousness-provoking vessel" can be viewed as an organic and natural occurrence.
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Artistry is the dance of color & form, whether visual, musical, or sparked in the imagination by the written word.
He ached for creation. For life to somehow rise from the drawings in his sketching book. For his own energy, his own impressions to swirl and spin on a canvas. For a dream city he had tacked above his bed.
Remember when we didn't know that colours can mix and form other colours. When we were not introduced to strokes that brushes can form, when light and dark were not necessary for the picture to be completed, and when it was a matter of lines that were not suppose to be connected. When feelings crashed on a white heart unintentionally and when our soul was not held in captive. Remember?
correlation between the growing lack of respect for ideas and the imagination and the increasing gap between rich and poor in America, reflected not just in the gulf between the salaries of CEOs and their employees but also in the high cost of education, the incredible divide between private and public schools that makes all of the fine speeches by our policy makers_ most of whom send their children to private schools anyway, just as they enjoy the benefits and perks of their jobs as servants of the people_ all the more insidious and insincere.
A performance does not capture or communicate with the mood and feelings of that very moment.
A poet has to be a bit childlike at heart, and in that sense all the romantic stereotypes about poets being "eternal children", etc, are all accurate. They believe, whatever they may say, that art and words can change the world.
Your dreams and your imagination are the keys to ART so capture all of yours in this notebook.....
Material creation begins in a tiny corner of a large island called imagination.
Art is a mirror of time, it must reflect a moment.
Art serves a purpose. It expands our horizons, frees our minds, and opens us up to new experiences. It opens the imagination. All these great discoveries of our time _ without the desire to reach beyond our boundaries, we would be forever stagnant. The folly is in closing one__ eyes and not recognizing it.
For Merleau-Ponty, the phenomenology of the human body, the very phenomenon of the human body, is intimately linked to "the problems of painting": "Things have an internal equivalent in me; they arouse in me a carnal formula of their presence. Why shouldn't these [correspondences] in turn give rise to some [external] visible shape in which anyone else would recognize those motifs which support his own inspection of the world?" Painting brings forth a carnal visuality, an embodied and incarnate image, by establishing the internal equivalent ("in me") of the outside world, which is made of the "same stuff." I am an extension of the world, but the world extends, intensifies, forms a "line of intensity," to use Gilles Deleuze's idiom, inside me. The world forms a "strange system of exchanges" with me; I am constituted in an exchange with the world. Painting makes this continuity visible, is itself the visualization of this continuity, of this blending of the inside and out. Images_"designs" and "paintings"__ays Merleau-Ponty, are "the inside of the outside and the outside of the inside, which the duplicity of feeling makes possible and without which we would never understand the quasi presence and imminent visibility which make up the whole problem of the imaginary.
The art wouldn__ complain if we leave her alone. Losing a touch with art, however, is losing a touch with our imagination.
It does not matter where one comes from, one can achieve even the greatest of things in life.
We are the ink that gives the white page a meaning.
Our sadness won__ be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.
Sometimes I think my scars are beautiful, but then I remember not everyone shares the same love of art.
The art of filmmaking is the most influential form of art that has ever existed throughout the history of human artistic endeavors.