A mind is a simulation that simulates itself.
Open your eyes, train your ears, use your head. If a mind you have, then use it while you can.
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Open your eyes, train your ears, use your head. If a mind you have, then use it while you can.
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Yes: I exist inside my body.I__ not carrying the sun and the moon in my pocket.I don__ want to conquer worlds because I slept badly,And I don__ want to eat the world for breakfast because I have a stomach.Indifferent?No: a son of the earth, who, if he jumps, it__ wrong,A moment in the air that__ not for us,And only happy when his feet hit the ground again,Pow! In reality where nothing__ missing!(6/20/1919)
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was teh way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
I hurt myself deeply, though at the time I had no idea how deeply. I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centred, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
To be a Russian writer at the end of the nineteenth century must have meant bearing an inescapably bitter fate. The more they tried to escape from Russia, the more deeply Russia swallowed them.