For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.
Author
Milan Kundera
/milan-kundera-quotes-and-sayings
Author Summary
About Milan Kundera on QuoteMust
Milan Kundera currently has 271 indexed quotes and 15 linked works on QuoteMust. This page is the canonical destination for that author archive.
Works
Books and titles linked to this author
Quotes
All quote cards for Milan Kundera
To rebel against being born a woman seemed as foolish to her as to take pride in it.
Fortunately women have the miraculous ability to change the meaning of their actions after the event.
Kitsch is the aesthetic ideal of all politicians and all political parties and movements. Those of us who live in a society where various political tendencies exist side by side and competing influences cancel or limit one another can manage more or less to escape the kitsch inquisition: the individual can preserve his individuality; the artist can create unusual works. But whenever a single political movement corners power, we find ourselves in the realm of totalitarian kitsch.
People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
There is nothing harder to explain than humor.
Humor: the divine flash that reveals the world in its moral ambiguity and man in his profound incompetence to judge others; humor: the intoxicating relativity of human things; the strange pleasure that conies of the certainty that there is no certainty.But humor, to recall Octavio Paz, is "the great invention of the modern spirit." It has not been with us forever, and it won't be with us forever either.With a heavy heart, I imagine the day when Panurge no longer makes people laugh.
It is precisely when their interior worlds change shape that Bezukhov and Bolkonsky are confirmed as individuals; that they surprise; that they make themselves different; that their freedom catches fire, and with it the identity of their selves; these are moments of poetry: they experience them with such intensity that the whole world rushes forward to meet them with an intoxicating parade of wondrous details. In Tolstoy, man is the more himself, the more an individual, when he has the strength, the imagination, the intelligence, to transform himself.By contrast, the people I see changing their attitude toward Lenin, Europe, and so on expose their nonindividuality. This change is neither their own creation nor their own invention, not caprice or surprise or thought or madness; it has no poetry; it is nothing but a very prosaic adjustment to the changing spirit of History. That is why they don't even notice it; in the final analysis, they always stay the same: always in the right, always thinking what, in their milieu, a person is supposed to think; they change not in order to draw closer to some essential self but in order to merge with everyone else; changing lets them stay unchanged.Another way of expressing it: they change their mind in accordance with the invisible tribunal that is also changing its mind; their change is thus simply a bet on what the tribunal will proclaim to be the truth tomorrow.
Encouraged by her parents_ applause, the girl went on: __o you think we take off our tops to give you pleasure? We do it for ourselves, because we like it, because it feels better, because it brings our bodies nearer to the sun! You__e only capable of seeing us as sex objects!__gain Papa and Mama Clevis applauded, but this time their bravos had a somewhat different tone. Their daughter__ words were indeed right, but also somewhat inappropriate for a fourteen-year-old. It was like an eight-year-old boy saying: __f there__ a holdup, Mama, I__l defend you._ Then too the parents applaud, because their son__ statement is clearly praiseworthy. But since it also shows excessive self-assurance, the praise is rightly shaded by a certain smile. With such a smile the Clevis parents had tinged their second bravos, and their daughter, who had heard that smile in their voices and did not approve of it, repeated with irritated obstinacy: __hat__ over and done with. I__ not anybody__ sex object.__ithout smiling, the parents merely nodded, not wanting to incite their daughter any further.Jan, however, could not resist saying:__y dear girl, if you only knew how easy it is not to be a sex object.__e uttered these words softly, but with such sincere sorrow that they resounded in the room for a long while. They were words difficult to pass over in silence, but it was not possible to respond to them either. They did not deserve approval, not being progressive, but neither did they deserve argument, because they were not obviously against progress. There were the worst words possible, because they were situated outside the debate conducted by the spirit of the time. They were words beyond good and evil, perfectly incongruous words.
Hate traps us by binding us too tightly to our adversary.This is the obscenity of war: the intimacy of mutually shed blood, the lascivious proximity of two soldiers who, eye to eye, bayonet each other.
Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote twenty of them) are sadly conventional; and above all: he understood nothing at all about modern art.Why, despite all this, was Kafka so fond of him? What about you-do you stop being fond of your best friend because he has a compulsion to write bad verse?
Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?
Two people in love, alone, isolated from the world, that's beautiful.
Today I know this: when it comes time to take stock, the most painful wound is that of broken friendships; and there is nothing more foolish than to sacrifice a friendship to politics.
Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible.
Unlike the puerile loyalty to a conviction, loyalty to a friend is a virtue - perhaps the only virtue, the last remaining one.
I understand you, and I shall not attempt to make you change your mind. I am too old to want to improve the world. I have told you what I think, and that is all. I shall remain your friend even if you act contrary to my convictions, and I shall help you even if I disagree with you.
He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.