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Author

Margaret Atwood

/margaret-atwood-quotes-and-sayings

498 Quotes
42 Works

Author Summary

About Margaret Atwood on QuoteMust

Margaret Atwood currently has 498 indexed quotes and 42 linked works on QuoteMust. This page is the canonical destination for that author archive.

Works

Books and titles linked to this author

Alias Grace Bluebeard's Egg Bottle Cat's Eye CAT'S EYE. Dancing Girls Der blinde Mörder Good Bones Good Bones and Simple Murders Hag-Seed In Other Worlds: SF and the Human Imagination Interlunar Lady Oracle Life Before Man MaddAddam Moral Disorder and Other Stories Morning in the Burned House Murder in the Dark: Short Fictions and Prose Poems Negotiating with the Dead Oryx and Crake Payback: Debt and the Shadow Side of Wealth Penelopiad, The: The Myth of Penelope and Odysseus Power Politics Procedures For Underground Second Words: Selected Critical Prose Selected Poems II: 1976 - 1986 Selected Poems: 1966-1984 Stone Mattress: Nine Tales Surfacing Survival: A Thematic Guide to Canadian Literature The Animals in That Country The Blind Assassin The Door The Edible Woman The Handmaid's Tale The Heart Goes Last The Penelopiad The Robber Bride The Tent The Year of the Flood Wilderness Tips You are Happy

Quotes

All quote cards for Margaret Atwood

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Some of these stories, it is understood, are not to be passed on to my father, because they would upset him. It is well known that women can deal with this sort of thing better than men can. Men are not to be told anything they might find too painful; the secret depths of human nature, the sordid physicalities, might overwhelm or damage them. For instance, men often faint at the sight of their own blood, to which they are not accustomed. For this reason you should never stand behind one in the line at the Red Cross donor clinic. Men, for some mysterious reason, find life more difficult than women do. (My mother believes this, despite the female bodies, trapped, diseased, disappearing, or abandoned, that litter her stories.) Men must be allowed to play in the sandbox of their choice, as happily as they can, without disturbance; otherwise they get cranky and won't eat their dinners. There are all kinds of things that men are simply not equipped to understand, so why expect it of them? Not everyone shares this believe about men; nonetheless, it has its uses.

"

UPYou wake up filled with dread.There seems no reason for it.Morning light sifts through the window,there is birdsong,you can't get out of bed.It's something about the crumpled sheetshanging over the edge like junglefoliage, the terry slippers gapingtheir dark pink mouths for your feet,the unseen breakfast--some of itin the refrigerator you do not dareto open--you will not dare to eat.What prevents you? The future. The future tense,immense as outer space.You could get lost there.No. Nothing so simple. The past, its densityand drowned events pressing you down,like sea water, like gelatinfilling your lungs instead of air.Forget all that and let's get up.Try moving your arm.Try moving your head.Pretend the house is on fireand you must run or burn.No, that one's useless.It's never worked before.Where is it coming form, this echo,this huge No that surrounds you,silent as the folds of the yellowcurtains, mute as the cheerfulMexican bowl with its cargoof mummified flowers?(You chose the colours of the sun,not the dried neutrals of shadow.God knows you've tried.)Now here's a good one:you're lying on your deathbed.You have one hour to live.Who is it, exactly, you have neededall these years to forgive?

"

From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her.Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.