Karl Marlantes

Many will argue that there is nothing remotely spiritual in combat. Consider this. Mystical or religious experiences have four common components: constant awareness of one's own inevitable death, total focus on the present moment, the valuing of other people's lives above one's own, and being part of a larger religious community such as the Sangha, ummah, or church. All four of these exist in combat. The big difference is that the mystic sees heaven and the warrior sees hell. Whether combat is the dark side of the same version, or only something equivalent in intensity, I simply don't know. I do know that at the age of fifteen I had a mystical experience that scared the hell out of me and both it and combat put me into a different relationship with ordinary life and eternity.Most of us, including me, would prefer to think of a sacred space as some light-filled wonderous place where we can feel good and find a way to shore up our psyches against death. We don't want to think that something as ugly and brutal as combat could be involved in any way with the spiritual. However, would any practicing Christian say that Calvary Hill was not a sacred space?

War is society's dirty work, usually done by kids cleaning up some failure on the part of the adults.

We mistakenly assume that bodily survival has a higher precedence than ego survival. This is simply not generally true. Ego will happily destroy the body for its own sake. Look at overweight executives headed for heart attacks on the way to getting their pictures in Fortune or anorexic models suffering slow starvation on their way to getting their pictures in Vogue. Protecting ego is the general case.

We all want to be special, to stand out; there's nothing wrong with this. The irony is that every human being is special to start with, because we're unique to start with. But we then go through some sort of boot camp from the age of zero to about 18 where we learn everything we can about how not to be unique.

He ran as he'd never run before, with neither hope nor despair. He ran because the world was divided into opposites and his side had already been chosen for him, his only choice being whether or not to play his part with heart and courage. He ran because fate had placed him in a position of responsibility and he had accepted the burden. He ran because his self-respect required it. He ran because he loved his friends and this was the only thing he could do to end the madness that was killing and maiming them.

'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.

When the peace treaty is signed, the war isn't over for the veterans, or the family. It's just starting.

Everything is touched by the holy when it is in the presence of death.

Mellas was transported outside himself, beyond himself. It was as if his mind watched eveything coolly while his body raced wildly with passion and fear. He was frightened beyond any fear he had ever known. But this brilliant and intense fear, this terrible here and now, combined with the crucial significance of every movement of his body, pushed him over a barrier whose existence he had not known about until this moment. He gave himself over completely to the god of war within him.

Thinking you might be crazy can drive you crazy.

How could you get mad at someone who neither needed to attack nor was at all worried about being able to defend? It was like getting mad at Switzerland.

The chanting went on, the musicians giving in to the rhythm of their own being, finding healing in touching that rhythm, and healing in chanting about death, the only real god they knew.

Quitting is unthinkable and pain is just weakness leaving the body

Mellas continued to look at the wallet, saying nothing. Hawke, who had been watching Mellas through the steam that rose from his pear-can coffee mug, handed Mellas the cup. Mellas gave a brief smile and took a drink. His hand was shaking. Hawke said in a calm voice, 'Something happened. You want to talk about it?'Mellas didn't answer right away. Then he said, 'I think I know where the gooks are.' He pulled out his map and pointed to the spot, his hand still trembling.'How do you know that, Mel?' Hawke asked.'From the direction he crawled after he was shot.' Mellas tossed the wallet down at Fitch. Then he dug into his pocket and pulled out the soldier's unit and rank patches. he looked at them, then at Fitch and Hawke, who were no longer eating. 'I let him crawl toward home with his guts hanging out.' He started sobbing. 'I just left him there.' Snot was streaming from his nose. 'I'm so sorry. I'm so fucking sorry.' His hands were now shaking with his body as he clenched the two pieces of cloth to his eyes.