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On a cloudy day, when the dim dance of the firelight and the warmth of the sconces are not enough, the books shed their own form of light. By the hundreds, they fill the shelves that stretch across every inch of exposed wall. They rise up to the ceiling, warriors of an impenetrable army, encircling my over-sized armchair and keeping me safe as they whisper their stories softly in my ear.
Kelseyleigh Reber If I Resist
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On a cloudy day, when the dim dance of the firelight and the warmth of the sconces are not enough, the books shed their own form of light. By the hundreds, they fill the shelves that stretch across every inch of exposed wall. They rise up to the ceiling, warriors of an impenetrable army, encircling my over-sized armchair and keeping me safe as they whisper their stories softly in my ear.

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As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, __ou__e going to die, you know._ However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.

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