I felt a pull toward her even before I actually spotted her in her car and I__ glad I didn__ resist.
The fact remains that a certain combination of fragrances can captivate the opposite sex like the scent of an animal in heat. One kind of fragrance might attract fifty out of a hundred people. And another scent will attract the other fifty. But there also are scents that only one or two people will find wildly exciting. And I have the ability, from far away, to sniff out those special scents. When I do, I want to go up to the girl who radiates this aura and say, Hey, I picked it up, you know. No one else gets it, but I do.
South of the Border, West of the Sun
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The fact remains that a certain combination of fragrances can captivate the opposite sex like the scent of an animal in heat. One kind of fragrance might attract fifty out of a hundred people. And another scent will attract the other fifty. But there also are scents that only one or two people will find wildly exciting. And I have the ability, from far away, to sniff out those special scents. When I do, I want to go up to the girl who radiates this aura and say, Hey, I picked it up, you know. No one else gets it, but I do.
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He is incredibly handsome. You never realized before how beautiful evil could be.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was teh way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
I hurt myself deeply, though at the time I had no idea how deeply. I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centred, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
To be a Russian writer at the end of the nineteenth century must have meant bearing an inescapably bitter fate. The more they tried to escape from Russia, the more deeply Russia swallowed them.