But if you wish, you can imagine that the Shadow does wait for your return and that it does remember everything that has gone before and that it doesn__ let you accept yourself as perfect until you let it. There is truth in that. That is why a child usually cries as soon as it__ born. With its first breath, the Shadow returns.
A shadow archive and an archive of shadows, the literary architectonic demands a resistance to excessive illumination.
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A shadow archive and an archive of shadows, the literary architectonic demands a resistance to excessive illumination.
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Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, __ook at my beautiful home! Isn__ it fine?_ And not, __ook at the home so-and-so has built._ Thus we shouldn__ cry, __ook what so-and-so has written. What a genius so-and-so is!_ But rather, __ook at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?
To sense the peace of extinguished passionHappiness in not knowing the ultimate knowledge
Up then, fair phoenix bride, frustrate the sun;Thyself from thine affectionTakest warmth enough, and from thine eyeAll lesser birds will take their jollity.Up, up, fair bride, and callThy stars from out their several boxes, takeThy rubies, pearls, and diamonds forth, and makeThyself a constellation of them all;And by their blazing signifyThat a great princess falls, but doth not die.Be thou a new star, that to us portendsEnds of much wonder; and be thou those ends.
There was nothing the matter out there. It was in here, with me.I decided I'd better go to work, maybe that would exorcise me. I fled from the room almost as though it were haunted. It was too late to stop off at a breakfast counter now. I didn't want any, anyway. My stomach kept giving little quivers. In the end I didn't go to work, either. I couldn't, I wouldn't have been any good. I telephoned in that I was too ill to come, and it was no idle excuse, even though I was upright on my two legs.I roamed around the rest of the day in the sunshine. Wherever the sunshine was the brightest, I sought and stayed in that place, and when it moved on I moved with it. I couldn't get it bright enough or strong enough. I avoided the shade, I edged away from it, even the slight shade of an awning or of a tree.And yet the sunshine didn't warm me. Where others mopped their brows and moved out of it, I stayed - and remained cold inside. And the shade was winning the battle as the hours lengthened. It outlasted the sun. The sun weakened and died; the shade deepened and spread. Night was coming on, the time of dreams, the enemy. ("Nightmare")
There is a duality to darkness known only to those who__e been infected by its touch. Everyone knows the shadows: shallow, comfortable, mostly harmless places where one might nest for a night. But the depths of living pitch only visit the aristocracy of madmen and women who__e unwittingly pledged fealty to the curse. For some, it outright ruins minds like a hound to fresh meat; for others, it wanes into the deepest parts of its less caustic sibling and waits for the time to strike, returning periodically through life like an incurable disease.