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At first she mistook them for sheets of pink crepe paper that someone had crumpled and carelessly flung down the hillside, perhaps after another astonishing party at the club. A moment later she remembered her great-grandmother's words and saw that they were hosts of wild pink zephyranthes that had come up in the night after the first fall of rain.
Anita Desai Fire on the Mountain
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At first she mistook them for sheets of pink crepe paper that someone had crumpled and carelessly flung down the hillside, perhaps after another astonishing party at the club. A moment later she remembered her great-grandmother's words and saw that they were hosts of wild pink zephyranthes that had come up in the night after the first fall of rain.
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Anita Desai

Fire on the Mountain

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The wild nature has a vast integrity to it. It means to establish one's territory, to find one's pack, to be in one's body with certainty and pride regardless of the body's gifts and limitations, to speak and act in one's own behalf, to be aware, alert, to draw on the innate feminine powers of intuition and sensing, to come into one's cycles, to find what one belongs to, to rise with dignity, to retain as much consciousness as possible. -Clarissa Pinkola Estés, Women Who Run With The Wolves, Singing Over The Bones, P10.

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As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, __ou__e going to die, you know._ However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.

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