The universe and its design is often one of arbitrary horror.

He never thought he was right. The horror of all that had died under his will had become mundane to him. You see, the first horror is the horror itself. The real horror for him was accepting it as necessary.

Mademoiselle De Lafontaine _ in right of her father, who was a German, assumed to be psychological, metaphysical and something of a mystic _ now declared that when the moon shone with a light so intense it was well known that it indicated a special spiritual activity. The effect of the full moon in such a state of brilliancy was manifold. It acted on dreams, it acted on lunacy, it acted on nervous people; it had marvelous physical influences connected with life. Mademoiselle related that here cousin, who was mate of a merchant ship, having taken a nap on deck on such a night, lying on his back, with his face full in the light of the moon, had wakened, after a dream of an old woman clawing him by the cheek, with his features horribly drawn to one side; and his countenance had never quite recovered its equilibrium.

Though denigrated by some outside academia and research, she embraced knowledge for its own sake and what better way to honor that than reveling in the intricacies of the brain? If there were any answers to the human condition, if an immortal soul made its home anywhere, it was in its spongy gray folds.

The universe has become not only conscious and aware of itself but capable in some respects of choosing its path into the future--though all three, the consciousness, the knowledge, and the choice, are dispersed over a vast crowd of beings, acting both individually and collectively.

In the words of Lynne McTaggart: "Living consciousness somehow is the influence that turns the possibility of something into something real. The most essential ingredient in creating our universe is the consciousness that observes it.