She stooped for a stone and dropped it down.'Fancy being where that is now,' she said, peering into the blackness; 'fancy going round and round like a mouse in a pail, clutching at the slimy sides, with the water filling your mouth, and looking up to the little patch of sky above.''You had better come in,' said Benson, very quietly. 'You are developing a taste for the morbid and horrible.' ("The Well")
I don't think we handled the aftermath of the fall of Baghdad as well as we might have. But that's now history.
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I don't think we handled the aftermath of the fall of Baghdad as well as we might have. But that's now history.
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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.