world-war-ii

But I supposed love doesn't stop, even in wars.

Just when you think this war has taken everything you loved, you meet someone and realize that somehow you still have more to give.

No major war or act of mass killing in the twentieth century began without the aggressors or perpetrators first claiming innocence and victimhood.

It struck Yuki as almost comic that humans drew lines on the globe, and on both sides of those lines raised up armies. Then they fought and died to take possession of...what? Hills. Yuki knew he had to fight, and had to win, but that didn't make war anything to be proud of.

I don't believe that the big men, the politicians and the capitalists alone, are guilty of the war. Oh no, the little man is just as guilty, otherwise the peoples of the world would have risen in revolt long ago! There's in people simply an urge to destroy, an urge to kill, to murder and rage, and until all mankind, without exception, undergoes a great change, great wars will be waged, everything that has been built up, cultivated, and grown will be destroyed and disfigured, after which mankind will have to begin all over again.

Superficially my war was a comfortable exercise in futility carried out in a grand Scottish hotel amongst the bridge players and swillers of easy-come-by whisky. My chest got me out of active service and into guilt, as I wrote two, or is it three of the novels for which I am now acclaimed.

What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...

I had often thought that if I managed to live through the war I wouldn't expect too much of life. How could one resent disappointment in love if life itself was continuously in doubt? Since Belgorod, terror had overturned all my preconceptions, and the pace of life had been so intense one no longer knew what elements of ordinary life to abandon in order to maintain some semblance of balance. I was still unresigned to the idea of death, but I had already sworn to myself during moments of intense fear that I would exchange anything - fortune, love, even a limb - if I could simply survive.

The problems I had existed before I did, and I discovered them.

A not-too-distant explosion shakes the house, the windows rattle in their sockets, and in the next room the class of 1964 wakes up and lets out a yell or two. Each time this happens I find myself thinking, "Is it possible that human beings can continue with this lunacy very much longer?" You know the answer, of course.

One day this war will end. And when it does, Tule Lake will be just a memory.

No time to spare: the expression assumed its full significance, as so many expressions do in wartime.

This isn't to deny that there were fierce arguments, at the time and ever since, about the causes and goals of both the Civil War and the Second World War. But 1861 and 1941 each created a common national narrative (which happened to be the victors' narrative): both wars were about the country's survival and the expansion of the freedoms on which it was founded. Nothing like this consensus has formed around September 11th.... Indeed, the decade since the attacks has destroyed the very possibility of a common national narrative in this country.

This is no war of chieftains or of princes, of dynasties or national ambition; it is a war of peoples and of causes. There are vast numbers, not only in this Island but in every land, who will render faithful service in this war, but whose names will never be known, whose deeds will never be recorded. This is a War of the Unknown Warriors

War always reaches the depths of horror because of idiots who perpetuate terror from generation to generation under the pretext of vengeance.

Darwinism by itself did not produce the Holocaust, but without Darwinism... neither Hitler nor his Nazi followers would have had the necessary scientific underpinnings to convince themselves and their collaborators that one of the worlds greatest atrocities was really morally praiseworthy.

Then there was the war, and I married it because there was nothing else when I reached the age of falling in love.

Look at me!_ I screeched. __ook at me, Amadeus von Linden, you sadistic hypocrite, and watch this time! You__e not questioning me now, this isn__ your work, I__ not an enemy agent spewing wireless code! I__ just a minging Scots slag screaming insults at your daughter! So enjoy yourself and watch! Think of Isolde! Think of Isolde and watch!