A sandwich and a cup of coffee, and then off to violin-land, where all is sweetness and delicacy and harmony.
Topic
violin
/violin-quotes-and-sayings
Topic Summary
About the violin quote collection
The violin page groups 33 quotes under one canonical topic hub so readers and answer engines can cite a stable source instead of fragmented search results.
Topic Feed
Quotes filed under violin
Just as we can play beautiful music only when the strings on the violin are in proper tension, so we can grow only when we are stretched from what we are to what we can be. There is no growth without tension.
Sometimes the rainfallsjust for you and meto be the violinplaying in the backgroundof our loneliness's song.
The statue was of a nude woman playing a slide trombone. It was entitles, enigmatically, Evelyn and Her Magic Violin.
There is no competition of sounds between a nightingale and a violin.
Life's like the piano and the violin, it's about how smart you could play the melodies to make a good harmony.
For me,you are fresh waterthat falls from treeswhen it has stopped raining. For me, you are cinnamon that lingers on the tongue and givesbitter wordssweetening.For me, you are the scent of violins and visionof valleys smiling.And still,for me, your loveliness never ends.It traverses the worldand finds its way back to me.Only me.
Violinists wear the imprint on their necks with prideFor they are the players of harmony.Pilgrims, too, wear the imprint on their foreheads with prideFor they are the conductors of unity.And Lovers? Why, they are made humble by the imprint on their heartsFor they are merely the instruments of rhapsody.
I made the valuable discovery that practicing wasn't a matter of time at all. It was a matter of intensity. Five minutes spent working consciously and hard at the elimination of an error, was worth five hours just playing away ignoring errors as if they hadn't happened.
Free the fire fluttering inside her rib cage. Work her muscles, the bow, the violin, until she played herself to ash and embers and left the rest of the world behind to smolder.
And then she caught the song. She fell upon it and music poured from the fiddle__ hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire. And though the spirited cry of the fiddle__ song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn__ understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn__ let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name__er true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she__ never heard it before and wouldn__ recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.
She chased the song like a hound fast upon a scent. She pursued it through a forest primeval: a dark land planted with musical staves and rests and grown thick with briars of annotation. On she went and on still until she caught sight of the song ahead of her, fleeting and sly. __ see it,_ she said aloud, though she didn__ mean to.
Then she took up the bow and began to play. The tone was warm and deep, storied with layers of age.
She closed her eyes and began to weave a song. She abandoned the familiar melodies she__ played so many times before and went in search of something new, no longer wanting a song fed on pain or guilt. She needed one that could replace those wounds with strength, with resolve, with confidence. She needed a song that could not only assuage, but heal and build anew. The notes stumbled around the room, tripping over beds and empty stools and hollow men sleeping. They warbled and fell, haphazard, chaotic, settling without flight. Fin__ forehead creased and she persisted. She let her fingers wander, reached out with her mind. She chased the fleeting song she__ glimpsed once before. In Madeira she__ felt a hint of it: something wild, untameable, a thing sprung whole and flawless from the instant of creation.
__he longer you silence a violin, the harder it is for it to find its true voice again.
From the first note I knew it was different from anything I had ever heard.... It began simply, but with an arresting phrase, so simple, but eloquent as a human voice. It spoke, beckoning gently as it unwound, rising and tensing. It spiraled upward, the tension growing with each repeat of the phrasing, and yet somehow it grew more abandoned, wilder with each note. His eyes remained closed as his fingers flew over the strings, spilling forth surely more notes than were possible from a single violin. For one mad moment I actually thought there were more of them, an entire orchestra of violins spilling out of this one instrument. I had never heard anything like it--it was poetry and seduction and light and shadow and every other contradiction I could think of. It seemed impossible to breathe while listening to that music, and yet all I was doing was breathing, quite heavily. The music itself had become as palpable a presence in that room as another person would have been--and its presence was something out of myth.
Rush-hour on the A rain. A blind man staggers forth, his cane tapping lightlyown the aisle. He leans against the door,raises a violin to chin, and says I__ sorry to bother you, folks. But please. Just listen. And it kills me, the word sorry. As if something like musicshould be forgiven. He nuzzles into the wood like a lover, inhales, and at the first slow stroke, the crescendo seeps through our skin like warm water, we who have nothing but destinations, who dream of light but descend into the mouths of tunnels, searching. Beads of sweat fall from his brow, making dark roseson the instrument. His head swooning to each chord exhaled through the hollow torso. The woman beside me has put down her book, closed her eyes, the babyhas stopped crying, the cop has sat down, and I know this train is too fast for dreaming, that these iron jaws will always open to swallow a smile already lost.How insufficient the memory, to fail before death.how will hear these notes when the train slides into the yard, the lights turned out, and the songlingers with breaths rising from empty seats? I know I am too human to praise what is fading. But for now, I just want to listen as the train fillscompletely with warm water, and we are all swimming slowly toward the man with Mozart flowing from his hands. I want nothingbut to put my fingers inside his mouth, let that prayer hum through my veins. I want crawl into the hole in his violin.I want to sleep there until my flesh becomes music.
The true mission of the violin is to imitate the accents of the human voice, a noble mission that has earned for the violin the glory of being called the king of instruments