Tolstoy said, 'The antagonism between life and conscience may be removed either by a change of life or by a change of conscience.' Many of us have elected to adjust our consciences rather than our lives. Our powers of rationalization are unlimited. They allow us to live in luxury and indifference while others, whom we could help if we chose to, starve and go to hell.
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Just as a painter needs light in order to put the finishing touches to his picture, so I need an inner light, which I feel I never have enough of in the autumn.
One day at Fenner's (the university cricket ground at Cambridge), just before the last war, G. H. Hardy and I were talking about Einstein. Hardy had met him several times, and I had recently returned from visiting him. Hardy was saying that in his lifetime there had only been two men in the world, in all the fields of human achievement, science, literature, politics, anything you like, who qualified for the Bradman class. For those not familiar with cricket, or with Hardy's personal idiom, I ought to mention that __he Bradman class_ denoted the highest kind of excellence: it would include Shakespeare, Tolstoy, Newton, Archimedes, and maybe a dozen others. Well, said Hardy, there had only been two additions in his lifetime. One was Lenin and the other Einstein.
I know that I am going to meet a personal variation on reality; a partial view of reality. But I know also that by that partiality, that distancing from the shared experience, it will be new: a revelation. It will be a vision, a more or less powerful or haunting dream. A space-voyage through somebody else's psychic abysses. It will fall short of tragedy, because tragedy is the truth, and truth is what the very great artists, the absolute novelists, tell. It will not be truth; but it will be imagination. Truth is best. For it encompasses tragedy and partakes of the eternal joy. But very few of us know it; the best we can do is recognize it. Imagination - to me - is the next best. For it partakes of Creation, which is one aspect of the eternal joy. All the rest is either Politics or Pedantry, or Mainstream Fiction, may it rest in peace.
The endless ocean was his sole companion , and on some deeply sentimental level, it seemed sufficient. Almost apt. He aligned himself with Thoreau and Tolstoy, he felt like their peers. The kinship with nature devoted humans to a mythical state, a heightened persona beyond the reach of mere mortals. At least that was what he told himself on the lonely nights when insomnia played on his fears and the howling wind pierced through his soul.
Tolstoy was perfectly right to protest that history is not made to happen by the combination of such obscure entities as the __ower_ or __ental activity_ assumed by naïve historians; indeed he was, in Kareev__ view, at his best when he denounced the tendency of metaphysically minded writers to attribute causal efficacy to, or idealise, such abstract entities as __eroes_, __istoric forces_, __oral forces_, __ationalism_, __eason_ and so on, whereby they simultaneously committed the two deadly sins of inventing non-existent entities to explain concrete events and of giving free reign to personal, or national, or class, or metaphysical bias.
There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent __hat if_ scenarios--what if x had never happened, what if y had happened instead?--because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency.
Art is bad when __ou see the intent and get put off._ (Goethe) In Tolstoy one is unaware of the intent, and sees only the thing itself. from the book, On Retranslating A Russian Classic Anna Karenina by Leo Tolstoy
If you want to consume the cream of Christ's philosophy, then don't read the Bible, read Tolstoy.
Nothing,' wrote Tolstoy, 'can make our life, or the lives of other people, more beautiful than perpetual kindness.
[Tolstoy] denounced [many historians'] lamentable tendency to simplify. The experts stumble onto a battlefield, into a parliament or public square, and demand, "Where is he? Where is he?" "Where is who?" "The hero, of course! The leader, the creator, the great man!" And having found him, they promptly ignore all his peers and troops and advisors. They close their eyes and abstract their Napoleon from the mud and the smoke and the masses on either side, and marvel at how such a figure could possibly have prevailed in so many battles and commanded the destiny of an entire continent. "There was an eye to see in this man," wrote Thomas Carlyle about Napoleon in 1840, "a soul to dare and do. He rose naturally to be the King. All men saw that he was such."But Tolstoy saw differently. "Kings are the slaves of history," he declared. "The unconscious swarmlike life of mankind uses every moment of a king's life as an instrument for its purposes." Kings and commanders and presidents did not interest Tolstoy. History, his history, looks elsewhere: it is the study of infinitely incremental, imperceptible change from one state of being (peace) to another (war).The experts claimed that the decisions of exceptional men could explain all of history's great events. For the novelist, this belief was evidence of their failure to grasp the reality of an incremental change brought about by the multitude's infinitely small actions.
Everyone thinks of changing the world, but no one thinks of changing himself.
...And there really are men who believe in this, who spend their time in promoting Leagues of Peace, in delivering addresses, and in writing books; and of course the governments sympathize with it all, pretending that they approve of it; just as they pretend to support temperance, while they actually derive the larger part of their income from intemperance; just as they pretend to maintain liberty of the constitution, when it is the absence of liberty to which they owe their power; just as they pretend to care for the improvement of the laboring classes, while on oppression of the workman rest the very foundations of the State; just as they pretend to uphold Christianity, when Christianity is subversive of every government.
Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city's reservoir, he turns to the cupboards, only to find the vodka bottle empty.
I've always loved you, and when you love someone, you love the whole person, just as he or she is, and not as you would like them to be.
Only a handful of individuals in human history can be truly hailed as Christians, such as Tolstoy, Gandhi, Mother Teresa, Rumi, Martin Luther King Jr. and a few others.
The same Sermon on the Mount that influenced Tolstoy to write __he Kingdom of God is Within You_, inspired me to a great extent in my work __rincipia Humanitas_.
In the post-Warhol era a single gesture such as uncrossing one's legs will have more significance than all the pages in War and Peace.