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The artist tries to show reason in experience and appearance _ and lyric is the daily appearance, the commonplace dress, of reason. It shows us the rational. It makes the epic pattern human. It's the footprint on the pathway. In the epic-lyric the individual and particular are no longer isolated but are placed in a historical, social, human pattern. That's why there's a political way of cutting bread or wearing shoes.

EB
Edward Bond

Plays 4: The Worlds / The Activists Papers / Restoration / Summer

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His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in.

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[The ruling class] sees people in the working class as being almost animals. It sees itself as being synonymous with civilization and its cultivation as coming from its natural abilities and not from its wealth and privileged opportunities. It doesn't see that the way in which it monopolizes these things distorts the culture it derives from them and that this makes its culture irrational and an enemy of civilization.

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Edward Bond

The Worlds, with the Activists Papers

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I__e never liked the term __ctor_._ Barron spoke slowly, joining hands with the cast members to his left and right. The rest of them formed a circle, also holding hands, and he continued. __eriously now, is anyone here __cting_? Is anyone here pretending? __e, I__ a theater director. One hundred percent, all the time. I__ not pretending, or acting, or trying to fool anyone. This is what I do, and I give it my all__ust like you. I look around me, and I don__ see a single phony. I see people who give their hearts, their minds, and their very lives to being serious performers on the stage. In the last weeks I__e watched every one of you give up the easy life to come here and bust a gut to make this show a reality. __hat__ why I call you performers. Not actors__erformers. Because when it__ time to prepare, you work out every nuance of a role. When it__ time to step in front of the crowd, you reach out and pull them in with both hands. When it__ time to say your lines, you deliver them with skill and meaning. That__ performance. And there__ nothing phony about that. There__ nothing pretend about that. There__ no acting that will take the place of that. __nd so that__ my wish for you tonight: Have a great performance. You__e done the work, you__e ready, and now it__ time to show off. Have fun out there, gang. Perform._ --Jerome Barron's opening night pep talk to the cast of Death Troupe