terror

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction)

The scratching came from the attic. At night, when Rory turned out the light I would lie awake and wait for it to skit, skit, skit lightly across the floorboards above our heads and down behind the water pipes.

Quinn seemed to have become one of a jaded philosophical society, a group of arcane deviates. Their raison d'etre was a kind of mystical masochism, forcing initiates toward feats of occult daredevilry - "glimpsing the inferno with eyes of ice", to take from the notebook a phrase that was repeated often and seemed a sort of chant of power. As I suspected, hallucinogenic drugs were used by the sect, and there was no doubt that they believed themselves communing with strange metaphysical venues. Their chief aim, in true mystical fashion, was to transcend common reality in the search for higher states of being, but their stratagem was highly unorthodox, a strange detour along the usual path toward positive illumination. Instead, they maintained a kind of blasphemous fatalism, a doomed determinism which brought them face to face with realms of obscure horror. Perhaps it was this very obscurity that allowed them the excitement of their central purpose, which seemed to be a precarious flirting with personal apocalypse, the striving for horrific dominion over horror itself.("The Dreaming In Nortown")

In the dark behind the glare of the television, like a mannequin behind it, I could see a silhouette and it wasn__ moving. It was maybe six foot high with its shoulders hunched and I blinked to make sure it was real. The TV fuzzed grey and white and black and I had a lump in my throat that I couldn__ swallow away. __ory_ I whispered. Clawing out gently beneath the duvet cover, reaching for his hand. But I couldn__ find it. And he didn__ answer.

Henry,' at last said one, again dipping the spoon into the flaming spirit, 'hast thou read Hoffman?''I should think so,' said Henry.'What think you of him?''Why, that he writes admirably; and, moreover, what is more admirable - in such a manner that you see at once he almost believes that which he relates. As for me, I know very well that when I read him of a dark night, I am obliged to creep to bed without shutting my book, and without daring to look behind me.''Indeed; then you love the terrible and fantastic?''I do,' said Henry. ("The Dead Man's Story

The diamonds glinted under the glare of the chandelier and they looked like a thousand spider eyes

The chandelier was wearing on its rubber support and the crack at the side of the ceiling hold was getting bigger. __ne day that__ going to fall on us and spear you through the heart,_ he said. I turned to kiss him on the shoulder and closed my eyes.

When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream. A little girl of about six who looks -like me, but isn__ me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred__ Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy. I did want to tell Dr Purvis these dreams but I didn__ want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that__ why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.

It__ horrible," she said.He looked at her in surprise. Horrible? Wasn__ that odd? He hadn__ thought that for years. For him the word __orror_ had become obsolete. A surfeiting of terror made terror a cliché. To Robert Neville the situation merely existed as natural fact. It had no adjectives.

Perhaps I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity.

He roused from a joyous dream of feasting, of drinking blood and sucking warm marrow from the bone. His sons and daughters swarmed like ants upon the surface of the Earth, ripe in their terror, delectable in their anguish. He swept them into his mouth and their insides ran in black streams between his lips and matted his beard. This sweet dream rapidly slipped away as he stretched and assessed his surroundings. He shambled forth from the great cavern in the mountain that had been his home for so long.

Sometimes you can lock the doors and close the blinds, but the monsters are still there inside your house, sleeping and breathing and just waiting to wake up and terrorize you all over again.