surrealism

Oh incomprehensible pederasts, I shall not heap insults upon your great degradation; I shall not be the one to pour scorn on your infundibuliform anus. It is enough that the shameful and almost incurable maladies which besiege you should bring with them their unfailing punishments.

Princess Cookie__ cognitive pathways may have required a more comprehensive analysis. He knew that it was possible to employ certain progressive methods of neural interface, but he felt somewhat apprehensive about implementing them, for fear of the risks involved and of the limited returns such tactics might yield. For instance, it would be a particularly wasteful endeavor if, for the sake of exhausting every last option available, he were even to go so far as resorting to invasive Ontological Neurospelunkery, for this unorthodox process would only prove to be the cerebral equivalent of tracking a creature one was not even sure existed: surely one could happen upon some new species deep in the caverns somewhere and assume it to be the goal of one__ trek, but then there was a certain idiocy to this notion, as one would never be sure this newfound entity should prove to be what one wished it to be; taken further, this very need to find something, to begin with, would only lead one to clamber more deeply inward along rigorous paths and over unsteady terrain, the entirety of which could only be traversed with the arrogant resolve of someone who has already determined, with a misplaced sense of pride in his own assumptions, that he was undoubtedly making headway in a direction worthwhile. And assuming still that this process was the only viable option available, and further assuming that Morell could manage to find a way to track down the beast lingering ostensibly inside of Princess Cookie, what was he then to do with it? Exorcise the thing? Reason with it? Negotiate maybe? How? Could one hope to impose terms and conditions upon the behavior of something tracked and captured in the wilds of the intellect? The thought was a bizarre one and the prospect of achieving success with it unlikely. Perhaps, it would be enough to track the beast, but also to let it live according to its own inclinations inside of her. This would seem a more agreeable proposition. Unfortunately, however, the possibility still remained that there was no beast at all, but that the aberration plaguing her consciousness was merely a side effect of some divine, yet misunderstood purpose with which she had been imbued by the Almighty Lord Himself. She could very well have been functioning on a spiritual plane far beyond Morell__ ability to grasp, which, of course, seared any scrutiny leveled against her with the indelible brand of blasphemy. To say the least, the fear of Godly reprisal which this brand was sure to summon up only served to make the prospect of engaging in such measures as invasive Ontological Neurospelunkery seem both risky and wasteful. And thus, it was a nonstarter.

Being alone in the dark - surrounded by silence, frightful. Thoughts breathe a life of their own; twisting and turning on each other as enemies unto themselves.

yes, i have dated Salvador Dali guy when i was a high school girl. he was a great lover. but i had to dump him because he stole my inspiration of bent clock*~* .... who cares...

We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green.

Jesus to Pilate:"The trouble is," the bound man went on, not stopping by anyone, "that you are too closed off and have definitely lost faith in people. You must agree, one can't place all one's affection in a dog. Your life is impoverished, Hegemon.

Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.

As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people.

I moved in front of the medicine cabinet. If I looked in the mirror while I did it, it would be like watching somebody else, in a book or a play.

To his shock, as Saarang turned the first page, the words slowly transformed into small cylinders, except for one-letter words which preferred being spheres, and started rolling toward the vertical edges of the book.

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it.

We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.

The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own 'genius', the surrealists conceived themselves as explorers and researchers rather than 'artist' in the traditional sense and it was discovery rather than invention that became crucial for them.

In childhood we inhabit a world of wonderful contrasts that later we often come to see as bizarre and do our best to rearrange, with everything in its 'proper' place. Unusual juxtapositions we label surrealistic. Yet what is surrealism but a second childhood with Freudian overtones which we have to be re-educated to enjoy? -- part of the tragedy of growing up

The sultan had enormous eyebrows, fibrous like angora wool. In moments of strife, his eyebrows twitched violently. Like now!His Excellency__ royal blood boiled. Once again another mesmerized American news anchor gushed about Dubai__ vision, hailing the imagination of the al-Maktoum family.__here is this vision coming from?_ probed Katie Couric.__gnorant Yankee!_ Sultan Mo-Mo__ British twang bore traces of Basil Fawlty.The sultan wanted to retch. Dubai__ showboating gave him indigestion, but he continued helping himself to more chips and fiery salsa, downing cold Guinness, smoking excellent hash, humming the theme song of The Wonder Years.

Reality is changing Viena. You can not stop the cycle.

As an evil cultist, I make an excellent evil cultist. Only I'm stupid, and not evil. And I worship nothing, really.

They floated for a while, two flesher-shaped creatures and a giant worm in a cloud of spinning metal fragments, an absurd collection of imaginary debris, glinting by the light of the true stars.