stories

Once upon a time I thought I could change stories, make them go the way I wanted, instead of where they actually went.

Great characters- They are pivotal for a great plot. THEN a solid plot: Why then? If you do not have great characters it is impossible to create a good plot, nonetheless a solid one. Once you have built great characters for the scenes, there you have it. It__ just like the movies, you cannot have a great film if the characters are frail and their lines are weak as well. I guess great world-building comes along with a good plot. If there is something that will work fine in a novel is how you will develop from the theme. You__e got to establish a good timeline, and from there it comes a world. You see the technical matters don__ match or matter as much to me. Even a poorly written story, if there is a good plot and great characters on it will make a divine combination There are simply many cases of it over the mainstream and that even reached the big screen.

Television and cinema were all very well, but these stories happened to other people. The stories I found in books happened inside my head. I was, in some way, there.It's the magic of fiction: you take the words and you build them into worlds.

I wore your promise on my finger for one yearI'll wear your name on my heart til I dieBecause you were my boy, you were my only boy forever.

Betty had forgotten how you only get slivers of stories from children - usually what they echo from overheard adult conversations.

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.

It takes courage and maturity to realise your own story.

Since the beginning of time there was always stories like this,_ he replies. __s children we reveled in the dream that there was a place out there that was different from the one we lived in.

When the rush of the weak sweeps over those that strive to be strong, its destruction. The commonplaces of moral judgment become fogged with the lack of perception stained with the sting of longing. The voice of reason is lost in the envious echoes of hearts torn by battle. The song of our children echo the misfortune of their parent's haze---we all started out small and had dreams to become something more than what we were.

What is childhood without stories? And how will children fall in love with stories without bookstores? You can't get that from a computer.

Ever two seconds, somewhere in the world, a child dies of starvation. That means every two seconds there is a story where the main character dies. That's a lot of horrible stories. So if my death looks like a sad story to someone else, I hope those people will use their imagination to think of all the children who don't get special deaths.

The Anatomy of Conflict:If there is no communication then there is no respect. If there is no respect then there is no caring. If there is no caring then there is no understanding. If there is no understanding then there is no compassion. If there is no compassion then there is no empathy. If there is no empathy then there is no forgiveness. If there is no forgiveness then there is no kindness. If there is no kindness then there is no honesty. If there is no honesty then there is no love. If there is no love then God doesn't reside there. If God doesn't reside there then there is no peace. If there is no peace then there is no happiness. If there is no happiness ----then there IS CONFLICT BECAUSE THERE IS NO COMMUNICATION!

A book for children, like the myths and folktales that tend to slide into it, is really a blueprint for dealing with life. For that reason, it might have a happy ending, because nobody ever solved a problem while believing it was hopeless. It might put the aims and the solution unrealistically high _ in the same way that folktales tend to be about kings and queens _ but this is because it is better to aim for the moon and get halfway there than just to aim for the roof and get halfway upstairs.

I might be asked, __o you equally reject the approach which begins with the question __hat do modern children need?_ _ in other words, with the moral or didactic approach?_ I think the answer is Yes. Not because I don__ like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question __hat do modern children need?_ will not lead you to a good moral. If we ask that question we are assuming too superior an attitude. It would be better to ask __hat moral do I need?_ for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the question at all. Let the pictures tell you their own moral. For the moral inherent in them will rise from whatever spiritual roots you have succeeded in striking during the whole course of your life. But if they don__ show you any moral, don__ put one in.

Remember Old Nan's stories, Bran. Remember the way she told them, the sound of her voice. So long as you do that, part of her will always be alive in you.

Stories are like children. They grow in their own way.

People shouldn't just talk about you, they should tell your tales.

Sense howEven the smooth stones acheWith stories of their ownIn the shuddering light of day.