It is noted that from 1967 to 1995 essays on negative emotions far outnumbered those on positive emotions in the psychological literature. The ratio was 21:1. Even those supreme perpetrators of pop nihilism, The New York Times and The Washington Post, have a better ratio than psychological literature. They average 12 negative stories to every one that might be construed to be non-negative. Many of their non-negative stories, however, cover success in sports and entertainment. I demand that the purveyors of despair who pretend to be dispassionate observes of the human condition go ahead and disclose that the 10 most beautiful words in the English languages are chimes, dawn, golden, hush, lullaby, luminous, melody, mist, murmuring, and tranquil; that Java sparrows prefer the music of Back over that of Schoenberg; that math experts have determined there are 1/96 trillion ways to lace up your shoes; that the Inuit term for making love is translated as __aughing together in bed;' and that according to Buckminster Fuller, __ollution is nothing but resources we__e not harvesting.
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The more I know about God, I am convinced He likes to read books and authors are His librarians. Every soul is a story waiting to be read.
As a novelist it is my job to tell stories that inspire and entertain but I am increasingly mindful that many of these historical tales (which of themselves are fascinating) relate directly to our issues in society today.
Fairy tales for adult readers remained popular throughout Europe well into the 19th century _ particularly in Germany, where the Brothers Grimm published their massive collection of German fairy tales (revised and edited to reflect the Brothers_ patriotic and patriarchal ideals), providing inpiration for novelists, poets, and playrights among the German Romantics. Recently, fairy tale scholars have re__iscovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few.
Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.
What stories can do, I guess, is make things present.I can look at things I never looked at. I can attach faces to grief and love and pity and God. I can be brave. I can make myself feel again.
Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms__f life, of love, of knowledge__as traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath.
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
Without stories, we__ have even more trouble recognizing what__ real.
Commentators frequently blame MMORPGs for an increasing sense of isolation in modern life. But virtual worlds are less a cause of that isolation than a response to it. Virtual worlds give back what has been scooped out of modern life. The virtual world is in important ways more authentically human than the real world. It gives us back community, a feeling of competence, and a sense of being an important person whom people depend on.
Reading yourself as a fiction as well as a fact is the only way to keep the narrative open - the only way to stop the story from running away under its own momentum, often towards an ending no one wants.
Stories serve multiple purposes. At a basic level they are great entertainment, which is essential for living a happy and healthy life, but on a deeper level stories help us explore issues that are otherwise difficult to address. On one hand a good book helps us escape our troubles, and on the other hand it can help us face up to those troubles by bringing real issues to the fore, often in a more manageable way, since the problems are experienced vicariously through the eyes of another.
Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.
The best historical stories capture the modern imagination because they are, in many senses, still current - part of a continuum.
A story has to break your heart or it's not worth telling.
Books have a vital place in our culture. They are the source of ideas, of stories that engage and stretch the imagination and most importantly, inspire.
Novel is a particular form of narrative./ And narrative is a phenomenon which extends considerably beyond the scope of literature; it is one of the essential constituents of our understanding of reality. From the time we begin to understand language until our death, we are perpetually surrounded by narratives, first of all in our family, then at school, then through our encounters with people and reading. - The Novel as Research. (1968)
While the stories are fiction, the journey is real.