In a way, the books were protection. An escape she would always have access to.A sanctuary, there for when she needed it.
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Reading is solitude. One reads alone, even in another's presence.
I'd hoped for someone who was remarkably intelligent, but disadvantaged by home circumstance, someone who only needed an hour's extra tuition a week to become some kind of working-class prodigy. I wanted my hour a week to make the difference between a future addicted to heroin and a future studying English at Oxford. That was the sort of kid I wanted, and instead they'd given me someone whose chief interest was in eating fruit. I mean, what did he need to read for? There's an international symbol for the gents' toilets, and he could always get his mother to tell him what was on television.
One mark of originality that can win canonical status for a literary work is strangeness that we either never altogether assimilate, or that becomes such a given that we are blinded to its idiosyncrasies.
The best gift, you can give me is a book.
There's always a person for every book. And a book for every person.
Her gaze wavered towards one of the books on the sales counter beside the register, a hardcover copy of Shakespeare__ Hamlet with many of the pages dog-eared and stained with coffee and tea. The store owner caught her looking at it and slid it across the counter towards her. __ou ever read Hamlet?_ he questioned.__ tried to when I was in high school,_ said Mandy, picking up the book and flipping it over to read the back. __ mean, it__ expected that everyone should like Shakespeare__ books and plays, but I just_._ her words faltered when she noticed him laughing to himself. __hat__ so funny, Sir?_ she added, slightly offended.__Oh, I__ not laughing at you, just with you,_ said the store owner. __ost people who say they love Shakespeare only pretend to love his work. You__e honest Ma__m, that__ all. You see, the reason you and so many others are put-off by reading Shakespeare is because reading his words on paper, and seeing his words in action, in a play as they were meant to be seen, are two separate things_ and if you can find a way to relate his plays to yourself, you__l enjoy them so much more because you__l feel connected to them. Take Hamlet for example _ Hamlet himself is grieving over a loss in his life, and everyone is telling him to move on but no matter how hard he tries to, in the end all he can do is to get even with the ones who betrayed him.___Wow, when you put it that way_ sure, I think I__l buy a copy just to try reading, why not?_ Mandy replied with a smile.
It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song!
We sometimes reveal how ignorant or bored we were when we read a book by giving it 5-stars.
Her Uncle Jaime felt that people never read what did not interest them and that if it interested them that meant they were sufficiently mature to read it.
Would it be possible, he wondered, to stand up before the world and with the utmost conviction spew out lies and nonsense? To say that windmills were knights, that a barber__ basin was a helmet, that puppets were real people? Would it be possible to persuade others to agree with what he said, even though they did not believe him? In other words, to what extent would people tolerate blasphemies if they gave them amusement? The answer is obvious, isn__ it? To any extent. For the proof is that we still read the book. It remains highly amusing to us. And that__ finally all anyone wants out of a book__o be amused.
There are so many works of the mind, so much humanity, that to disburden ourselves of ourselves is an understandable temptation. Open a book and a voice speaks. A world, more or less alien or welcoming, emerges to enrich a reader's store of hypotheses about how life is to be understood. As with scientific hypotheses, even failure is meaningful, a test of the boundaries of credibility. So many voices, so many worlds, we can weary of them. If there were only one human query to be heard in the universe, and it was only the sort of thing we were always inclined to wonder about--Where did all this come from? or, Why could we never refrain from war?--we would hear in it a beauty that would overwhelm us. So frail a sound, so brave, so deeply inflected by the burden of thought, that we would ask, Whose voice is this? We would feel a barely tolerable loneliness, hers and ours. And if there were another hearer, not one of us, how starkly that hearer would apprehend what we are and were.
Shakespeare's exquisite imagining belies our total inability to live in the present moment.
Winston stopped reading, chiefly in order to appreciate the fact that he was reading, in comfort and safety. He was alone: no telescreen, no ear at the keyhole, no nervous impulse to glance over his shoulder or cover the page with his hand. The sweet summer air played against his cheek. From somewhere far away there floated the faint shouts of children: in the room itself there was no sound except the insect voice of the clock. He settled deeper into the arm-chair and put his feet up on the fender. It was bliss, it was eternity.
We read novels because we want to see the world through other experiences, other beings, other eyes, other cultures.
I do not think that there can ever be enough books about anything; and I say that knowing that some of them are going to be about Pilates. The more knowledge, the better seems like the a solid rule of thumb, even though I have watched enough science fiction films to accept that humanity's unchecked pursuit of learning will end with robots taking over the world.
popular culture is where we go to talk to and agree with one another; to simplify ourselves; to find our herd. It__ like going to the Automat to buy an emotion. The thrills are cheap and the payoffs predictable and, after a while, the repetition is a bummer. Whereas books are where we go alone to complicate ourselves. Inside this solitude, we take on contours, textures, perspectives. Heightened language levitates the reader. Great art transfigures. And when we go back to it, it__ full of even more surprises. We get older; it gets smarter.
We are not __ensored_ in the traditional way in the United States: writers are not beaten or killed because of their words, and no Ministry of Truth enforces an official version of what can be printed and thought. But in this culture of images, we are censoring ourselves. That may be more insidious and long-lasting. What I mean is that we disparage long-term complexity, and extol superficiality. We ignore reading, and lavish time on images. To read, in my mind, is to consider and to think. To see an image is to react. What happens when we start believing the world and what is important in it are only these reactions and prejudices? What have you become when the most expected of you is simply to press a __ike_ button? What kind of gulag is it when its inhabitants are too stupid to understand they are its prisoners?