plot

A director's dream? No, Bollywood reality in 1995.Business is booming, but cliché's are passée. A different sort of breeze-fresh, young-is unsettling fatigued conventions.

NOTICEPersons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.BY ORDER OF THE AUTHORPer G.G.,Chief of Ordnance

Taken together the Internet reads like the grandest character-driven novel humanity has ever known. Not much plot though.

What monster sleeps in the deep of your story? You need a monster. Without a monster there is no story.

We must carefully cultivate the voice that speaks to us because an internal voice is the ultimate narrator of our charming and delightful personal story or the documentarian of our tragic and disgraceful plotlines. Stories that we tell ourselves become our functional reality, which format structures the concourse of the nested emotional control panel that guides and girds us through the din of the present.

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second__ompare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait.

Storytelling began as a way for humans to relay information, from where to find food sources to the benefits of familial bonding, because fictional stories were the easiest way to memorize and communicate a complete set of information. We remember information best when it is delivered in the form of a plot, which is called 'semantic memory.' Stories still serve a definitive purpose and the stronger the purpose, the clearer the story.Fire Up Your Writing Brain

Plot twist: everything goes exactly as planned.

We are all the construction of a story and it is only at the end that we can assess the value of the plot. ("Everybody his story")

By mastering character and plot, you give your book a fighting chance and withoutcharacter and plot, no book can survive.

He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must make his whole world in a single, coherent gesture, as a potter makes a pot...

The telling of any character is what they do in a different situation.

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama.

Character is plot, plot is character.

Be a good listener in the special way a story requires: note the manner of presentation; the development of plot, character; the addition of new dramatic sequences; the emphasis accorded to one figure or another in the recital; and the degree of enthusiam, of coherence, the narrator gives to his or her account.

Stories start in all sorts of places. Where they begin often tells the reader of what to expect as they progress. Castles often lead to dragons, country estates to deeds of deepest love (or of hate), and ambiguously presented settings usually lead to equally as ambiguous characters and plot, leaving a reader with an ambiguous feeling of disappointment. That's one of the worst kinds.

There are stories that don't need a plot. Sooner or later they rise above the confusion and untangle their mysteries in a series of sentences.