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In the presence of Esch, values have hidden their faces. Order, loyalty, sacrifice__e cherishes all these words, but exactly what do they represent? Sacrifice for what? Demand what sort of order? He doesn't know.If a value has lost its concrete content, what is left of it? A mere empty form; an imperative that goes unheeded and, all the more furious, demands to be heard and obeyed. The less Esch knows what he wants, the more furiously he wants it. Esch: the fanaticism of the era with no God. Because all values have hidden their faces, anything can be considered a value. Justice, order__sch seeks them now in the trade union struggle, then in religion; today in police power, tomorrow in the mirage of America, where he dreams of emigrating. He could be a terrorist or a repentant terrorist turning in his comrades, or a party militant or a cult member a kamikaze prepared to sacrifice his life. All the passions rampaging through the bloody history of our time are taken up, unmasked, and terrifyingly displayed in Esch's modest adventure.

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Milan Kundera

The Art of the Novel

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What drove such people to their sinister occupations? Spite? Certainly, but also the desire for order. Because the desire for order tries to transform the human world into an inorganic reign in which everything goes well, everything functions as a subject of an impersonal will. The desire for order is at the same time a desire for death, because life is a perpetual violation of order. Or, inversely, the desire for order is a virtuous pretext by which man's hatred for man justifies its crimes.

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Milan Kundera

Farewell Waltz

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She was a woman with a broom or a dust-pan or a washrag or a mixing spoon in her hand. You sawher cutting piecrust in the morning, humming to it, or yousaw her setting out the baked pies at noon or taking them in,cool, at dusk. She rang porcelain cups like a Swiss bell ringerto their place. She glided through the halls as steadily as avacuum machine, seeking, finding, and setting to rights. Shemade mirrors of every window, to catch the sun. She strolledbut twice through any garden, trowel in hand, and the _wersraised their quivering _es upon the warm air in her wake.She slept quietly and turned no more than three times in anight, as relaxed as a White glove to which, at dawn, a brisk hand will return. Waking, she touched people like pictures,to set their frames straight.

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If I love order, it's not the mark of a character subjected to an inner discipline, a repression of the instincts. In me the idea of an absolutely regular world, symmetrical and methodical, is associated with that first impulse and burgeoning of nature.The rest of your images that associate passion with disorder, love with intemperate overflow - river fire whirlpool volcano - are for me memories of nothingness and listlessness and boredom.

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Italo Calvino

The Complete Cosmicomics