As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.
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Your heart is yours to give, it is no ones to take. Not a queen. Not a prince. No one.
He was looking for immensity. His life was hopelessly small, everything surrounding him was nondescript and gray. And death is absolute; it is indivisible and indissoluble. The presence of the girl was pathetic (a few caresses and a lot of meaningless words), but her absolute absence was infinitely grand; when he imagined a girl buried in a field, he suddenly discovered the nobility of pain and the grandeur of love. But it was not only the absolute but also bliss he was looking for in his dreams of death.
This scene expresses the basic situation of immaturity; lyricism is an attempt to face that situation: the individual expelled from the protected enclosure of childhood wishes to enter the world, but at the same time, because he is frightened of it, he fashions an artificial replacement world out of his own verse. He makes his poems revolve around him like the planets around the sun; he becomes the center of a small universe in which nothing is alien, in which he feels as much at home as a child inside its mother, for everything here is fashioned only from the substance of his soul. Here he can accomplish everything that is so difficult "outside;" here he can, like the student Wolker, march with a proletarian crowd to make a revolution and, like the virginal Rimbaud, lash his "little girlfriends" because that crowd and those girlfriends are not fashioned out of the hostile substance of an alien world but out of the substance of his own dreams, and they are thus he himself and do not shatter the unity of the universe he has constructed for himself.
Rencana Allah selalu indah...
But it was not only a feeling of guilt which drove him into danger. He detested the pettiness that made life semilife and men semimen. He wished to put his life on one of a pair of scales and death on the other. He wished each of his acts, indeed each day, each hour, each second of his life to be measured against the supreme criterion, which is death. That was why he wanted to march at the head of the column, to walk on a tightrope over an abyss, to have a halo of bullets around his head and thus to grow in everyone's eyes and become unlimited as death is unlimited. . .
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed__aybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
As with all new inventions, there are upsides and downsides. The commercial drone is no exception. But until robust safeguards have been introduced to protect personal privacy from prying eyes in the skies, the true benefits to society of unmanned aerial vehicles will remain unrealised.
We all fight for money, some for power, but most of all for love. But me, I fight to become a champion.
My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming.
I am the happiest person on this world, who has never seen ups and downs in life. I got whatever I wished for_ And I woke up!
From Flood, Flash, and Pheromones--coming soon:In the torrential downpour with water swirling that threatened to pull her down, she didn__ see the voice__ owner. The hurricane had blessed the entire city with a surprise drenching. All weather reports had predicted it to pass over with sporadic rainfall but that didn__ happen. The storm settled over Houston as if it had no intention to move on. Cassie flailed in panic as the roof of her car disappeared under the water twenty feet beyond. She prayed once more that the container in it was watertight. And that she__ see her car again. Then she concentrated on living. Where had the voice come from?
From Flood, Flash, and Pheromones--coming soon:As Cassie__ body hurled toward him in the swirl, she realized the brevity of the situation. This was it. This was the moment that determined whether she lived to see another day or drowned in this filthy brown water. This was the moment she proved she had never been a quitter, never been a weakling. All the problems she__ dealt with at work today seemed trivial.
Sometimes I still feel that there are two of me: one clean, flawless picture, the other imperfect and cracked; one boy, one girl; one voice that speaks aloud and one that whispers in my ear; one publicly known to have been troubled but be on the mend, the other who has privately lost something to do with innocence and gained something to do with knowledge and adulthood that can never be undone. I feel sometimes there are things that tear me in two directions, that there are two sets of thoughts that grow side by side. But then I realize that I am whole, whatever that means and does not mean; I am complete without the need for additions or alteration.
Why worry, if today be sweet'?
We read novels because we need stories; we crave them; we can__ live without telling them and hearing them. Stories are how we make sense of our lives and of the world. When we__e distressed and go to therapy, our therapist__ job is to help us tell our story. Life doesn__ come with plots; it__ messy and chaotic; life is one damn, inexplicable thing after another. And we can__ have that. We insist on meaning. And so we tell stories so that our lives make sense.
Grandpa said that we could solve a lot of the world__ problems if we considered cats and dogs edible. Like the neighbor__ dog who goes to the bathroom in his flower garden. And know what else?