novel

Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

An excerpt from:__ypothetically Speaking__yAnthony T. Hincks(A book about you and the world _ coming soon!)If I was a savvy person, I would watch, and study mankind in order to find out where his weaknesses lay.Greed, for sure; vanity; mistrust; a tendency towards violence; fanaticism, and many other less than honorable traits and even some honorable ones which could also be used, and capitalized on.Then, once I had found his weaknesses I would act.I and some friends or family, not terms that I would usually use but ones that are more commonly used here on Earth, would start an empire.Months _ Years - Millennium Who cares, for time is on my side, not yours!I would sow mistrust; magic; wisdom; knowledge, and start many religions.Why many religions?Because where would the fun be by just having one, when with a whole handful you can sow hatred; do unspeakable acts all in the name of religion. That__ a lot more fun, and, besides which, it suits my purposes.Innovation _ Invention _ Intelligence All of those things would come, but only at a time of my choosing.Decades would pass and then centuries. Wars would be fought. He against him. He against her. She against him. They against others.I tell you, watching something come to fruition is a hell of a lot of fun.

Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him - for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood, Yet, what a real living human being is made of seems to be less understood today than at any time before, and men - each one of whom represents a unique and valuable experiment on the part of nature - are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, storytelling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.

Even if we try to conform to ideals and strive for perfection, we will always be pulled back to our core identity because it__ the path of least resistance for our souls _ an energy force that wants nothing more than for us to honor and accept who we are and discover what we__e meant to do in the world.

Can you identify the source preventing you from feeling good every single day, from loving yourself unconditionally and making your dreams come true? Is it a voice in your head or a gut wrenching ache that compromises your inner peace and doesn__ allow you to accept the love around you? Is there one thing, or maybe many things, keeping you from forgiving your past and moving forward, tormenting you with lies like __ou don__ deserve real love so just settle for whatever you can get,_ __ou__e not smart enough to achieve your dream so don__ even try,_ or __ook at your past_ you should hate yourself way more than you actually do!_?Welcome to your Little Monster.

I never want you to deny anything about yourself because you have grown up thinking it__ unacceptable or inconvenient for the people around you.

This is your life _ not your parents_, teachers_ or significant other__. If you ever find yourself on a path that just doesn__ feel safe anymore, you have every right to stop the car, get out _ change your shoes and start walking.

Being a Dream Girl is never going to be about what you look like or how much you weigh. After all, our physical appearances are just reflections of our inner worlds. What makes you a Dream Girl is your emotional sensitivity, your self-awareness, and your ability to communicate who you are effectively and compassionately in the world.

Starting over can be the scariest thing in the entire world, whether it__ leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn__ right or feels unsafe, I really want you to listen and trust in that voice.

A novel is an impression, not an argument; and there the matter must rest.

A fictionalised memoir of my father would be a failure as a novel.

The novel cannot submit to authority.

A novel takes the courage of a marathon runner, and as long as you have to run, you might as well be a winning marathon runner. Serendipity and blind faith faith in yourself won't hurt a thing. All the bastards in the world will snicker and sneer because they haven't the talent to zip up their flies by themselves. To hell with them, particularly the critics. Stand in there, son, no matter how badly you are battered and hurt.

I write all these remarks with exactly the same feeling as if I were writing a letter to post into the distant past: I am so sure that everything we now take for granted is going to be utterly swept away in the next decade. ...)

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back")

On my website there's a quote from the writer Anthony Burgess: "The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind." I've always found that inspiring because the written word, as an art form, is unlike any other: movies, TV, music, they're shared experiences, but books aren't like that. The relationship between a writer and a reader is utterly unique to those two individuals. The world that forms in your head as you read a book will be slightly different to that experienced by every other reader. Anywhere. Ever. Reading is very personal, a communication from one mind to another, something which can't be exactly copied, or replicated, or directly shared. If I read the work of, say, one of the great Victorian novelists, it's like a gift from the past, a momentary connection to another's thoughts. Their ideas are down on paper, to be picked up by me, over a century later. Writers can speak individually to readers across a year, or ten years, or a thousand. That's why I love books.

If the novel is dead, I'm a necrophiliac.

Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.