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mortality

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I should like to ask you:-Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?"Responding to his softened manner, Mr. Lorry answered:"Twenty years back, yes; at this time of my life, no. For, as I draw closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by my many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed in me." "I understand the feeling!" exclaimed Carton, with a bright flush. "And you are the better for it?""I hope so.

CD
Charles Dickens

A Tale of Two Cities

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Morbidity and Mortality RoundsForgive me, body before me, for this.Forgive me for my bumbling hands, unschooledin how to touch: I meant to understandwhat fever was, not love. Forgive me formy stare, but when I look at you, I seemyself laid bare. Forgive me, body, forwhat seems like calculation when I takea breath before I cut you with my knife,because the cancer has to be removed.Forgive me for not telling you, but I__no poet. Please forgive me, please. Forgivemy gloves, my callous greeting, my unease__ou must not realize I just met deathagain. Forgive me if I say he lookedimpatient. Please, forgive me my despair,which once seemed more like recompense. Forgivemy greed, forgive me for not having moreto give you than this bitter pill. Forgive:for this apology, too late, for thoselike me whose crimes might seem innocuousand yet whose cruelty was obvious.Forgive us for these sins. Forgive me, please,for my confusing heart that sounds so muchlike yours. Forgive me for the night, when Isleep too, beside you under the same moon.Forgive me for my dreams, for my rough knees,for giving up too soon. Forgive me, please,for losing you, unable to forgive.

"

An Arundel TombSide by side, their faces blurred,The earl and countess lie in stone,Their proper habits vaguely shownAs jointed armour, stiffened pleat,And that faint hint of the absurd -The little dogs under their feet.Such plainness of the pre-BaroqueHardly involves the eye, untilIt meets his left-hand gauntlett, stillClasped empty in the other, andOne sees with a sharp tender shockHis hand withdrawn, holding her hand.They would not think to lie so long,Such faithfulness in effigyWas just a detail friends would see,A sculptor's sweet commissioned graceThrown off in helping to prolongThe Latin names around the base.They would not guess how early inTheir supine stationary voyageThe air would change to soundless damage,Turn the old tenantry away;How soon succeeding eyes beingTo look, not read. Rigidly, theyPersisted, linked, through lengths and breadthsOf time. Snow fell, undated. LightEach summer thronged the grass. A brightLitter of birdcalls strewed the sameBone-littered ground. And up the pathsThe endless altered people cameWashing at their identity.Now helpless in the hollowOf an unarmorial age, a troughOf smoke in slow suspended skeinsAbove their scrap of history,Only an attitude remains.Time has transfigured them intoUntruth. The stone fidelityThey hardly meant has come to beTheir final blazon and to proveOur almost-instinct almost-true:What will survive of us is love.

PL
Philip Larkin

The Whitsun Weddings